Results 11 to 20 of about 306,979 (259)

Theatres of War: Experimental Performance in London, 1914–1918 and Beyond

British Art Studies, 2019
This special issue of British Art Studies is conceived as an online exhibition. At its heart is the first-ever staging of The Ballet of the Nations, a film made by Impermanence in 2018, which brings Lee’s theatre-of-war to life a century after it was ...
Grace Brockington
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Reflections on the battle against COVID-19: The effects of emotional design factors on the communication of audio-visual art

Frontiers in Psychology, 2022
Fighting against the epidemic is an arduous and prolonged battle where many artists hope to inspire people with the power of art through cultural creativity.
Wen-Ting Fang, Jian-Hua Sun, Qing-Dong Liang   +2 more
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Making The Ballet of the Nations: Costumes and Production

British Art Studies, 2019
Production designer Pam Tait speaks with Ella Margolin about the costumes and set design of Impermanence's The Ballet of the Nations. How did the specifics of Vernon Lee’s text and Maxwell Armfield’s illustrations influence the look and feel of Tait’s ...
Pam Tait, Ella Margolin
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Récit, genre et tournant « cinématique », ou retour au cinéma. La redéfinition des archétypes du conte de fées et de l’horreur dans l’art de l’image en mouvement : l’expérience britannique

Perspective, 2022
The publication of Laura Mulvey’s seminal essay “Visual Pleasure and Narrative Cinema” (1975) paved the way for the consideration of the relationship between gender politics and cinematic narratives within the discipline of film studies.
Elisabetta Garletti
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CITY VIEWS

EGA, 2012
The city as the architectural setting where life takes place has frequently been a subject for painters and draughtsmen. While it has also been addressed by other media – such as film, video and photography – which, with technology, have significantly ...
Montserrat Bigas, Lluís Bravo, Gustavo Contepomi   +2 more
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Les trois boucles. Notes sur les modes d’existence des films d’artistes

Perspective, 2019
As material resulting from industrial production, film is technically reproducible and thus does not seem, at first sight, to pose particular problems in terms of its “multiple” existence. However, when one observes in detail the material culture and the
Enrico Camporesi
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Interventions, Productions and Collaborations:the relationship between RAI and visual artists [PDF]

, 2015
On 17 May 1952, before RAI Radiotelevisione Italiana Studios began their regular broadcast from Milan, the Spatialist painter and sculptor Lucio Fontana broadcast his own experimental 'artwork' on Italian television, beginning a fruitful relationship ...
Leuzzi, Laura
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Jazzowość filmu - filmowość jazzu. O muzyce Krzysztofa Komedy w filmach krótkometrażowych Romana Polańskiego

Images, 2012
The Jazziness of a Film – the Filmicness of Jazz. About the Music of Krzysztof Komeda in the Short Films of Roman Polański The relationship between a film director and the composer of the film soundtrack is an exceptionally interesting research subject.
Piotr Pomostowski
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Tony Morgan’s Performative Cinema in the Age of the “Cinematic Turn”: “Relational Films” (1969-1970), “Structural Films” (1969-1971) and Produkt Cinema (1971)

Artium Quaestiones, 2020
This article analyses the films, installations, performances and film projects of British artist, Tony Morgan, who is associated with Fluxus. Focusing on the years 1969–1971, we show the process of dematerialization and rematerialization inherent in his ...
François Bovier
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Make a Silence

Journal of Anthropological Films, 2020
The Hanoi New Music Festival 2018 was an historic event. It was the largest festival of exploratory forms of new music that has ever been held in Vietnam, and artists from countries across Southeast Asia and Japan came to Hanoi to participate.
Barley Norton
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