Results 1 to 10 of about 80,235 (214)
Guy Rottier, un architecte-artiste parmi les artistes [PDF]
In Situ, 2017 The French-Dutch architect Guy Rottier (1922-2013) placed the collaboration between architects and artists at the centre of his work. He was a disciple of Le Corbusier, graduating from the Paris Ecole des Beaux-Arts in 1952.
Nouha Babay
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A Manifesto for (De)growth. Disruptive (De)Growth Repository of Southern Ecosystems [PDF]
ARQ, 2022 Hunguta formed after the open call for the 2019 Oslo Architecture Triennale, taking the Xitsonga word for ‘decrease’ as its name. The multidisciplinary collective engages with degrowth practices in the context of the Global South.
Hunguta
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Animated Urban Surfaces: Spatial Augmented Reality in public discourse
International Journal of Film and Media Arts, 2021 Today´s projection art on public surfaces developed from the mutual approximation of painting, architecture, and lighting during centuries. The terms “Spatial Augmented Reality” (SAR) and “projection mapping” describe mostly temporary large screen ...
Martina Tritthart
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Addresses of the First St. Petersburg Artists in 1703–1741 [PDF]
Художественная культура, 2023 The foundation of St. Petersburg as the new capital of the Russian state in the 18th century was inextricably linked with the attraction of artists who brought social, cultural and propaganda benefits, being a special category of urban residents ...
Ainutdinov Anton S.
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Cogent Arts & Humanities, 2023 The nineteenth-century principle of Gesamtkunstwerk was inseparably linked to the interwar avant-garde, as indicated in a plethora of manifestos and programmatic writings published in periodicals such as De Stijl, 7 Arts and Blok.
Michał Wenderski
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The Impact of Avant-Garde Art on Brutalist Architecture
Buildings, 2021 Brutalism was an architectural trend that emerged after World War II, and in the 1960s and 1970s, it spread throughout the world. The development of brutalist architecture was greatly influenced by post-war avant-garde art.
Wojciech Niebrzydowski
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„Raumkunst” autorstwa Teodora Axentowicza
Lehahayer, 2021 Raumkunst by Teodor Axentowicz Three exhibition arrangements analysed in the article – the halls of Polish artists on the exhibitions in St. Louis (1904), London (1906) and XI International Biennial of Art in Venice (1914) – allow us to consider ...
Stefania Krzysztofowicz-Kozakowska
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In Situ, 2017 Since 2012, the ‘Inventaire général du Patrimoine culturel’, a heritage inventory service under the auspices of the Normandy regional council, has been documenting and studying contemporary artworks, created in the framework of the “1 % artistique ...
Sabrina Ducroquet-Blanchet
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In Situ, 2017 The campus of the Faculty of Letters and Humanities at today’s Paul-Valéry University-Montpellier III is the most successful creation amongst the Montpellier university buildings constructed during the 1960s. The campus originally included the Faculty of
Yvon Comte
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Проект Байкал, 2015 The article describes the history of the formation of the «Union of Soviet architects of the USSR» from 1932 to 1941. It presents the decisions of the highest bodies of the party-state apparatus to create the Union of Architects.
Mark Meerovich
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