Results 1 to 10 of about 17,038 (184)
Digital Resistance to Asian-American Hate during COVID-19: Study of Photography and Art on Instagram
In this research, I study the digital resistance to Asian-American hate, isolation, alienation, and ‘othering’ visibilized during the COVID-19 pandemic in 2020-21 in the Global North.
Nanditha Narayanamoorthy
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Asian American Art, Pasts and Futures
The nine essays that comprise this In the Round section . . . show Asian American art as polyvocal rather than monolithic, encompassing a range of ethnicities and experiences, and intersecting with gender, sexuality, and class. What unites the essays is an attentiveness to the myriad ways Asian Americans have engaged with a range of overlapping power ...
Marci Kwon, Aleesa Pitchamarn Alexander
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Intersectional Antiracist Art Inquiry Through Asian American Art
Michelle S. Bae-Dimitriadis +1 more
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Asian American Art and the Obligation of Museums
Aleesa Pitchamarn Alexander,
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“Distilling” in Art Education: Bridging American Southwest Landscapes Through “Qi” in Asian Art Praxis [PDF]
Abstract This project re-imagines landscape pedagogy through cross-cultural dialogue and demonstrates how art education can integrate diverse philosophical traditions with place-conscious curriculum. It intertwines East Asian philosophy with the southwestern landscape of Sedona, Arizona.
Ling-Yu Chou
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Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong
Karen Fang
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Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance
Yinshi Lerman-Tan,
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Asian American Art, Pasts and Futures
The nine essays that comprise this In the Round section . . . show Asian American art as polyvocal rather than monolithic, encompassing a range of ethnicities and experiences, and intersecting with gender, sexuality, and class.
Marci Kwon, Aleesa Pitchamarn Alexander
doaj +1 more source
Emerging from the Shadows: The Visual Arts and Asian American History
Asian American Art: A History, 1850-1970, the book from which this foreword is excerpted, is the first comprehensive study of the lives and artistic production of artists of Asian ancestry active in the United States before 1970.
Gordon H Chang
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