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Throughout history, paintings have had a static perspective, as determined by the artist. Nowadays, viewers are not passive anymore. This proposal focuses on dynamic painting, and active audiences. Magic Asian Art allows viewers to enjoy dynamic Asian painting, and furthermore, each audience recreates the same painting according to their personal ...
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Language Resources and Evaluation, 2008This special issue of Language Resources and Evaluation, entitled "New Frontiers in Asian Language Resources", complements the earlier special double issue on Asian Language Processing: State of the Art Resources and Processing (Huang et al. 2006) by presenting eight papers describing specific Asian language resources. As Bird and Simons (2003) explain,
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Analysis and recognition of Asian scripts-the state of the art
Seventh International Conference on Document Analysis and Recognition, 2003. Proceedings., 2005This paper summarizes the research activities of the pastdecade on the recognition of handwritten scripts used inChina, Japan, and Korea. It presents the recognitionmethodologies, features explored, databases used, andclassification schemes investigated.
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Reading Asian Art and Artifacts
2011This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a 'visible language' with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as 'windows' into cultures, and as such can ...
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Art Journal, 2000The words “Asia,” “the Orient,” and “the East” are loaded terms conceived by the West. Through prefabricated constructs of the imagination, Asia has become one of the West's deepest and most recurr...
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