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2018
<p>Through spectral analysis, synthesis, and manipulation, I incorporate the transient and resonant sounds of tap dance into an acoustic piece, Aperture Assonance, for chamber orchestra. By means of abstraction, I explore the idioms of tap dance through distortions, common to practices of spectral composition. The title, metaphorically, refers to
Joshua Tyler Marquez +5 more
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<p>Through spectral analysis, synthesis, and manipulation, I incorporate the transient and resonant sounds of tap dance into an acoustic piece, Aperture Assonance, for chamber orchestra. By means of abstraction, I explore the idioms of tap dance through distortions, common to practices of spectral composition. The title, metaphorically, refers to
Joshua Tyler Marquez +5 more
openaire +1 more source
The Classical Quarterly, 1929
In the Classical Quarterly for April, 1927, I tried to show how Virgil, in his fourth Eclogue, introduced assonance and even rhyme to contribute in part to the ‘Sibylline’ atmosphere of the poem. Since then I have further investigated this question of assonance in Virgil's poetry, with what appear interesting results.
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In the Classical Quarterly for April, 1927, I tried to show how Virgil, in his fourth Eclogue, introduced assonance and even rhyme to contribute in part to the ‘Sibylline’ atmosphere of the poem. Since then I have further investigated this question of assonance in Virgil's poetry, with what appear interesting results.
openaire +1 more source
Romania, 1874
Raynaud Gaston. Les assonances du Roland. In: Romania, tome 3 n°10, 1874. pp. 290-291.
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Raynaud Gaston. Les assonances du Roland. In: Romania, tome 3 n°10, 1874. pp. 290-291.
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