Results 31 to 40 of about 1,405 (206)
orgel-mixturen -7. : Internationales Festival für zeitgenössische Orgelmusik
Orgelkonsert i Köln, TysklandProgramGary Verkade (1954-)Convolutions (1999)Assonance (1989)Larry Polansky (1954-)Sunday Organ Piece for Church (2004)Jan Ferm (1963-)Disembodied Organics (2005/6)Breath (2007)Godkänd; 2011; 20111209 (johsod)
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Alliteration in W. Shasha’s Zihlabana nje Ziyalamba
This paper examines the use of alliteration in Welile Shasha’s poetry in Zihlabana nje Ziyalamba. This aspect is chosen as Shasha uses it very intensively in his poetry.
Zilibele Mtumane and Ruth Nozibele Tabu
doaj
Reimagining public governance through the commons: prefigurative legality at play?
Abstract This article contributes to the emerging scholarship on prefigurative legality by prompting critical questions on the boundaries of prefigurative legality itself. The article does so by reviewing two selected experiments for creating urban commons in Italy.
MARGHERITA PIERACCINI
wiley +1 more source
A phonopoietic study was conducted on ancient samples of Azerbaijani folklore — lullabies and okhshama. We study the stylistic features of the phonetic units in lullabies and ohshama and their influence on the language of the verse.
Salmanova K.
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Can a lizard ride on a housefly?: Navigating uncertainty and moral life in an Accra Zongo, Ghana
Abstract How can uncertainty become a resource for ethical life rather than a threat to it? Focusing on a Zongo community in Accra, Ghana—also known as a “traveler's camp” or “stranger's quarters”—this article examines how people use a creative form of communication called the practice of folding to sustain relationships shaped by conditions of ...
Emily A. Williamson
wiley +1 more source
This work represents an analysis of Cicero's speech Oratio in Catilinam Prima on two levels: phonostylistic and lexicostylistic with the goal to represent expressive voice function and figures of speech on phonostylistic level and to represent lexic ...
Sanja Merzić
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READING UP THE VERSE PATTERN OF ELIZABETH BARRETT BROWNING S HOW DO I LOVE THEE?
Reading a poem is systematic, distinctive and patterned. Written as a sonnet, How do I Love Thee? is akin to neither Shakespearean nor Petrarchan sonnet. The verse pattern of the sonnet is typical: it is composed of two quatrains and one sestet, rhyming
Ariya Jati
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This contribution suggests the hypothesis of a rather late dating, in the context of the Epicurean tradition, of the anti-sceptical dispute conducted by Lucretius in the fourth book of his poem (spec. vv. 469-521). To this end, some parallels between the
Chiara Rover, CR
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Text as tape: On the voice in the late prose of Friederike Mayröcker
Abstract For a text to have a voice means to be caught in a paradox: the text obviously does not speak, so what is that tone rising from the pages? Taking hold of a striking ambivalence, this essay examines the relationship between text and voice in the late prose of Austrian poet Friederike Mayröcker.
Astrid Elander
wiley +1 more source
Alliteration and Assonance in Neologistic Jargon Aphasia
This paper discusses certain aspects of the speech patterns of neologistic jargon aphasic patients, whose syndrome is one form of a more general classification referred to as Wernicke's or cortical sensory aphasia. The classical lesion site is in the posterior superior temporal convolution of the dominant hemisphere.
H W, Buckingham +2 more
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