Results 81 to 90 of about 1,405 (206)
Rhythmic phenomena in the Razavi newspaper
This research deals with the vocal rhythm in the Razavi text by revealing its apparentphenomena in his newspaper (voice frequency, alliteration, assonance), then revealingthe aesthetic rhythmic harmony that appeared clearly and without boredom andworked ...
Ali Awad Maizar
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Kunz explores Stanisław Barańczak’s villanella “Co mam powiedzieć” [What shall I say?] that opens the volume Widokówka z tego świata [A Postcard from this World].
Tomasz Kunz
doaj
Modus Vivendi: Forum für zeitgenössische Orgelmusik : Sächsische Gesellschaft für Neue Musik
Gary Verkade1954Convolutions1999Jan Ferm1963Disembodied Organicsfor organ and electronic sounds2004/5Gary VerkadeAssonance1989Jörg Herchet1943komposition 1 für orgel, III1976Konsert i Martin-Luther-Kirche, Dresden, TysklandProgramVerkade, Gary ...
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READING UP THE VERSE PATTERN OF ELIZABETH BARRETT BROWNING’S HOW DO I LOVE THEE?
Reading a poem is systematic, distinctive and patterned. Written as a sonnet, How do I Love Thee? is akin to neither Shakespearean nor Petrarchan sonnet.
Ariya Jati
doaj
THE POETRY OF DUBRAVKO HORVATIĆ - OPUS AND MICROSTRUCTURES [PDF]
This article presents poetry of Dubravko Horvatić, member of the circle called „razlogovci“, Croatian poet of the second postwar generation, his ten collections of poems and poetic prose.
Miljenko Buljac
doaj
GAYA BAHASA PADA LIRIK LAGU GRUP SONETA DALAM ALBUM EMANSIPASI WANITA
Language style that used by the writer in his work is thought and feelings which create an aesthetic work. This study aims to describe language style of Soneta’s song lyrics in Emansipasi Wanita album.
Rr. Dwi Astuti
doaj +1 more source
This study offers a comprehensive treatment of the subject of “word play” in the book of Qoheleth. After discussing the problematic nature of the term “word play,” and explaining my preference for the word ...
Scott B. Noegel
doaj +1 more source
orgel-mixturen -7. [Elektronisk resurs] : Internationales Festival für zeitgenössische Orgelmusik
Orgelkonsert i Köln, TysklandProgramGary Verkade (1954-)Convolutions (1999)Assonance (1989)Larry Polansky (1954-)Sunday Organ Piece for Church (2004)Jan Ferm (1963-)Disembodied Organics (2005/6)Breath (2007)
Verkade, Gary,
core
A bridge too far for artificial intelligence?: Automatic classification of stanzas in Spanish poetry. [PDF]
Pérez Pozo Á +5 more
europepmc +1 more source
Aesthetic experience models human learning. [PDF]
Starr GG.
europepmc +1 more source

