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Abstract This chapter focuses on the contexts and overarching geo-politics within which the music-making explored in this book takes place. ‘Waiting’ and ‘integration’ as key aspects of forced migrants’ lives are discussed. An overview of the system of asylum seeking accommodation is outlined as well as artistic and cultural responses to
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2007
Meet Sam, the man troopers brought in because he was standing at the center of the turnpike, directing traffic, claiming to be God's police chief on earth. And Mary, a middle-aged women so obsessed with clean hands she has rubbed her palms raw and bloody. Then, too, there is Dr. Hudson Hoagland, who uses an ant farm and peppermint oil to illustrate the
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Meet Sam, the man troopers brought in because he was standing at the center of the turnpike, directing traffic, claiming to be God's police chief on earth. And Mary, a middle-aged women so obsessed with clean hands she has rubbed her palms raw and bloody. Then, too, there is Dr. Hudson Hoagland, who uses an ant farm and peppermint oil to illustrate the
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Asylum Within and Without Asylums
Psychiatric Services, 2004Geller, Jeffrey L., Morrissey, Joseph P.
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American Political Science Review, 1959
Asylum for political refugees is an ancient practice, privilege and problem. It has shown a remarkable capacity for institutional survival, albeit with accommodations, in the vicissitudes of changing international relations. I propose here to review its recent performance and consider its continued utility in the contemporary world.I.
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Asylum for political refugees is an ancient practice, privilege and problem. It has shown a remarkable capacity for institutional survival, albeit with accommodations, in the vicissitudes of changing international relations. I propose here to review its recent performance and consider its continued utility in the contemporary world.I.
openaire +1 more source