Results 1 to 7 of about 12 (7)
«According to the Circassian custom, I was fostered out...»: the institute offosterage (atalychestvo) in the works of Sultan Khan-Giray [PDF]
Sultan Khan-Giray is the author of a number of scientific works and literary texts, which reflect almost all facets of the Adyghe culture of the first half of the 19th century.
Nuriet Karpushevna Gubzhokova
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The atalychestvo institution of the adyghs in the perception of foreign authors: a historiographic aspect [PDF]
Historical and ethnographic descriptions of the unique Adygh pedagogical institute of upbringing in a stranger’s house (atalychestvo) are informative sources that allow later researchers to clarify the important aspects of its formation and features of ...
Nuriet Karpushevna Gubzhokova
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The article considers the problem of the origin and development of the “atalychestvo” institution, as one of the customs that existed in the past among the Dagestan peoples, which has practically disappeared in the modern period.
Gadzhi Magomedkamilovich Guseynov +2 more
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Circassia and the Crimean Khanate: the evolution of relationships (XVI-XVIII centuries)
At present investigation of the regional history, which is an element of all-Russian and world processes, has acquired particular relevance, as it makes it possible to soak up the national culture, form national identity, and preserve socio-cultural ...
Zarema Yurievna Adzinova
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The article examines ethnographic plots in the published, but previously unexplored literary works of the first, essentially, Balkar prose writer Ismail Kaitukovich Abaev, characterizing various aspects of the traditional everyday life of the Balkar ...
Khakim K. Gegrayev, Khakim K. Gegrayev
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The historical past of the people in the story «Trace of atalyk» by Mukhamed Anzorov
The article attempts to research the historical past in the story of the Circassian writer M. Anzorov "The Trace of the Atalyk". The work focuses on identifying the peculiarities of the worldview of a modern artist, the connection of his works with life,
Naima B. Bozieva
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