The audience for Old English texts: Ælfric, rhetoric and ‘the edification of the simple’ [PDF]
, 2014 There is a persistent view that Old English texts were mostly written to be read or heard by people with no knowledge of Latin, or little understanding of it, especially the laity.
Gittos, Helen
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Theorizing Audience and Spectatorial Agency [PDF]
, 2014 This chapter analyses Georgian audiences and spectatorial agency through several lenses: psychoanalytic film theory, theories of the public sphere and of mass publicity, and media studies of cultural convergence.
Bolton, Betsy
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Quantifying the invisible audience in social networks [PDF]
, 2013 This paper combines survey and large-scale log data to examine how well users’ perceptions of their audience match their actual audience on Facebook.AbstractWhen you share content in an online social network, who is listening?
Michael S. Bernstein
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Les Salons de Diderot : une chronique de la création artistique
Carnets, 2014 The Salons of Diderot are directed to a foreign audience who cannot visit these French artistic events. The audience is as much concrete as abstract instances, fundamental component of this work which is at the same time an aesthetic judgment and a ...
Ana Fernandes
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The 1990s on the RTS Screens: Analysis of the Domestic Television Series and the Audience Attitudes
Etnoantropološki Problemi, 2020 In the cultural memory of peoples or individual groups, there is always a certain temporal point around which complex socio-political discourses develop. In Serbia, it was the 1990s.
Nataša Simeunović-Bajić +2 more
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Le pouvoir de la fiction télévisée d’un point de vue temporel
Communication, 2017 Whoever controls time exerts power, but the contemporary fragmentation of time makes it more difficult to control. Hence a sense of loss. The French short fiction television series Bref, beyond its comic content, offers the visceral experience of re ...
Jean-Bernard Cheymol
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Active audiences: Social audience participation in television
Comunicar, 2014 The combination of social networks, second screens and TV has given rise to a new relationship between viewers and their televisions, and the traditional roles in the communication paradigm have been altered irrevocably. Social television has spawned the social audience, a fragmentation of the real audience based on how they interact with social ...
Natalia Quintas-Froufe +1 more
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NEXT GENERATIONS OF CONSUMERS – CHALLENGES AND OPPORTUNITIES FOR BRANDS
Вісник Київського національного університету імені Тараса Шевченка. Серія Економіка, 2015 Young people are a heterogeneous public, characterized by a lack of patience and attention, eager to learn more about thingsbut without reaching a level of depth, always connected and always running, hungry for goods, but lacking money. The youngare also
A. Budac
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Attitude change in a realistic experiment: the effect of party membership and audience reaction during an interview with a Dutch politician [PDF]
, 1987 In this realistic experiment, an interview with the leader of the Liberals in the Dutch Parliament was recorded in the presence of a live audience, which reacted in a positive, negative, or neutral way.
Wiegman, O.
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Wall Street à Hollywood : une perspective de criminologie culturelle visuelle
Criminocorpus, 2022 As a mode of communication, the image gradually dwarfs the spoken and written word. Such a late modern mediascape (Appadurai) modifies our relationship to reality and shapes, or even manipulates collective representations, including those relating to ...
Carla Nagels, Françoise Vanhamme
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