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Decomposing Audience Costs: Bringing the Audience Back into Audience Cost Theory
American Journal of Political Science, 2015According to a growing tradition in International Relations, one way governments can credibly signal their intentions in foreign policy crises is by creating domestic audience costs: leaders can tie their hands by publicly threatening to use force since domestic publics punish leaders who say one thing and do another.
Joshua D. Kertzer, Ryan Brutger
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The audience as artist? The audience’s experience of participatory music
Music & Science, 2019This study aimed to uncover potential effects on and meanings experienced by audience members who participated in performances (‘participants’) of intentional efforts to integrate participatory elements in art music practice. We document a recent project
J. Toelle, J. Sloboda
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EngageMeter: A System for Implicit Audience Engagement Sensing Using Electroencephalography
International Conference on Human Factors in Computing Systems, 2017Obtaining information about audience engagement in presentations is a valuable asset for presenters in many domains. Prior literature mostly utilized explicit methods of collecting feedback which induce distractions, add workload on audience and do not ...
Mariam Hassib +5 more
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Audiences for Now; Audiences for the Future
2014Arts managers face two major challenges today. First, they must reach outward to their communities, with a goal of creating relevance, understanding, and accessibility and making art an integral part of people’s everyday lives. Second, managers must look inward to professionalize their management and marketing, to approach their tasks strategically in ...
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Beyond Offending the Audience: Violating the Audience Body
Contemporary Theatre Review, 1996The most recent survey of performance art theory to appear in the United States, the Spring 92 issue of Discourse: Journal for Theoretical Studies in Media and Culture, while it treats a number of performance‐related issues ‐ auto‐destructive art, Viennese Actionism, even “what is left of performance art “ ‐ pays astonishingly little attention to the ...
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I tweet honestly, I tweet passionately: Twitter users, context collapse, and the imagined audience
New Media & Society, 2011Alice E. Marwick, D. Boyd
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Who is the audience to the audience? Media representations of literary audience
2016Tekst se bavi kulturološkim učincima medijskih reprezentacija književne publike i međuoodnosa književnog teksta i publike. Poznato je u suvremenoj kulturnoj teoriji da se o književnoj publici ne može misliti tek kao o adresiranoj skupini konstruiranoj medijskim industrijama.
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