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Audiences

2022
Abstract While audience response used to be crucial to the future of a play in the theatre, the increasing gentrification of audiences has led to complaints that they are too polite. However, they have also been blamed for reacting audibly to performances, as at the reconstructed Globe.
openaire   +2 more sources

EngageMeter: A System for Implicit Audience Engagement Sensing Using Electroencephalography

International Conference on Human Factors in Computing Systems, 2017
Obtaining information about audience engagement in presentations is a valuable asset for presenters in many domains. Prior literature mostly utilized explicit methods of collecting feedback which induce distractions, add workload on audience and do not ...
Mariam Hassib   +5 more
semanticscholar   +1 more source

The audience as artist? The audience’s experience of participatory music

Music & Science, 2019
This study aimed to uncover potential effects on and meanings experienced by audience members who participated in performances (‘participants’) of intentional efforts to integrate participatory elements in art music practice. We document a recent project
J. Toelle, J. Sloboda
semanticscholar   +1 more source

Audience

The Contemporary Medieval in Practice, 2019
Bradley E. Wiggins
semanticscholar   +4 more sources

Captive Audiences

2021
Hannah Boast, Nicole Seymour
openaire   +1 more source

Audiences and Target Audiences

2022
Jay Daniel Thompson, John Weldon
openaire   +1 more source

Touching the audience: musical haptic wearables for augmented and participatory live music performances

Personal and Ubiquitous Computing, 2020
Luca Turchet   +2 more
semanticscholar   +1 more source

Language style as audience design

Language in society, 1984
A. Bell
semanticscholar   +1 more source

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