Results 211 to 220 of about 663,247 (257)
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Tools and technologies for enhancing access to audiovisual archives: The Singapore journey
Journal of Digital Media Management, 2017The AudioVisual Archives Department of the National Archives of Singapore (NAS) appraises and acquires audiovisual (AV) records of national, historical and socio-cultural significance, and preserves and documents such records that are transferred to NAS.
L. Phang, Wai Yee Soh
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Audiovisual Archives: A Pratical Reader
Cadernos BAD, 2003Bibliografia sobre Arquivos Audiovisuais: Sites e ...
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Convenient Discovery of Archived Video Using Audiovisual Hyperlinking
Proceedings of the Third Edition Workshop on Speech, Language & Audio in Multimedia - SLAM '15, 2015This paper overviews ongoing work that aims to support end-users in conveniently exploring and exploiting large audiovisual archives by deploying multiple multimodal linking approaches. We present ongoing work on multimodal video hyperlinking, from a perspective of unconstrained link anchor identification and based on the identification of named ...
R.J.F. Ordelman (Roeland) +4 more
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Copyright (and) Culture: the governance of audiovisual archives
info, 2016AbstractPurpose – This paper asks the following research question: What are the policy dynamics of copyright regulation for digital audiovisual (AV) archives in Europe and what is their potential impact? The paper aims to discuss the social relevance of archives, European cultural policies targeting operationalisation of these archives and ...
Braun-Rozgonyi, Krisztina +2 more
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Digital Audiovisual Archives: Unlocking our Audio and Audiovisual Heritage Potential
ESARBICA Journal: Journal of the Eastern and Southern Africa Regional Branch of the International Council on Archives, 2009This article discusses the importance of digital sound and audiovisualarchives in the broadcast environment. However, the digitisation ofsound and audiovisual collections also impact on the non-broadcastenvironment. Digitising our AV collections has become critical. Assuch, we have entered an exciting phase in managing our assets –the new archiving. We
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Audiovisual archive exploitation in the networked information society
Proceedings of the 1st international ACM workshop on Music information retrieval with user-centered and multimodal strategies, 2011Safeguarding the massive body of audiovisual content, including rich music collections, in audiovisual archives and enabling access for various types of user groups is a prerequisite for unlocking the social-economic value of these collections. Data quantities and the need for specific content descriptors however, force archives to re-evaluate their ...
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Streaming history increasing access to audiovisual archives
Journal of Media Practice, 2007ABSTRACTThe audiovisual recordings of radio and television have the potential to help us understand our past. The broadcast media have slowly gained a cultural recognition that has placed a new significance on their expanding archive collections. Broadcast libraries and archives were established to facilitate the programme making.
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The significance of Biafran audiovisual archives
Journal de la Société des Africanistes, 2022F. Ugochukwu
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Deadline 2025: AIATSIS and the audiovisual archive
Archives and Manuscripts, 2019The Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS), Australia’s archival repository for Aboriginal and Torres Strait Islander cultural heritage, is the nation’s pea...
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2008
Ce texte traite des tensions dans la sphère des représentations audiovisuelles entre les logiques spectaculaires qui gouvernent les médias, et notamment les télévisions, et ce que les archives en images et sons maintiennent de traces peu lisibles et d’obscurités. Comment travailler les archives audiovisuelles pour suggérer que l’histoire n’est pas un «
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Ce texte traite des tensions dans la sphère des représentations audiovisuelles entre les logiques spectaculaires qui gouvernent les médias, et notamment les télévisions, et ce que les archives en images et sons maintiennent de traces peu lisibles et d’obscurités. Comment travailler les archives audiovisuelles pour suggérer que l’histoire n’est pas un «
openaire +1 more source