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Audiovisual essays: unveiling the mystery behind the object

Journal of Science and Technology of the Arts, 2020
The beginning of an audiovisual section in the Journal of Science and Technology of the Arts has two main goals: the first one is for contributing for the acceptance of these objects in the academic field, especially within the most common practices and ...
Carlos Natálio
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The audiovisual essay as performative research

NECSUS, 2016
Editorial introduction to the Audiovisual Essay section of NECSUS: European Journal of Media Studies, Autumn 2016.
Catherine Grant
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Teaching writing with images: The role of authorship and self-reflexivity in audiovisual essay pedagogy

NECSUS, 2020
Methodologies for teaching audiovisual essays often map the discipline-specific objectives of the form and the practical and philosophical advantages it offers as a mode of assessment.
Roberto Letizi, Simon Troon
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Image–Music–Text: Operatic Experiments in the Age of the Audiovisual Essay

INSAM, 2021
Emerging as a new tool and form of criticism and theorizing, the audiovisual essay has stirred many different opinions within the academy, with its many different outcomes.
João Ricardo
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The audiovisual essay as art practice

NECSUS, 2015
Cristina Álvarez López, Adrian Martin
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'The Kiss': The Obscene Off The Scene

Journal of Science and Technology of the Arts, 2021
Using William Heise’s The Kiss, from 1896, as a starting point, I created an experimental essay film, also called The Kiss, to expose and question our conception of obscenity.
Miguel De
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Sound and the audiovisual essay, part 1: Dialogue, music, and effects

NECSUS, 2020
Liz Greene
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The video-essay in the art classroom in secondary education: a teaching resource in the exploration and construction of identity

Revista d'Innovació i Recerca en Educació, 2020
INTRODUCTION: This research aims to demonstrate the value of contemporary audiovisual art within the paradigm of art education. Our study uses the video-essay as a vehicle for secondary education students to explore and construct a sense of personal ...
María-Dolores Arcoba
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Two Films of João Salaviza: Towards a Cinema of Impermanence, After an Audiovisual Essay by Cátia Diogo

Journal of Science and Technology of the Arts, 2022
After a brief overview about aesthetic and dramatic common motives in Salaviza’s work, we will focus on the hypothesis raised by the Cátia Diogo’s audiovisual essay Rafa and David (2022). The essay juxtaposes two scenes in Rafa (2012) and Montanha (2015)
Pedro Florêncio
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Spencer Bell, Nobody Knows My Name

Open Screens, 2022
Spencer Bell, Nobody Knows My Name The audiovisual essay showcases Bell’s performance, by only selecting and using sequences that he is in. I decided to not only reverse the order of the sequences but also to reverse the footage within the clips ...
Liz Greene
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