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Review of Maarten Coëgnarts' audiovisual essay 'Embodied Visual Meaning [in] Motion'

[in]Transition, 2023
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All the world’s images

, 2016
Ribas, Daniel, Baptista, Tiago
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RESEARCH POSSIBILITIES OF THE AUDIOVISUAL ESSAY FORM

2020
Y. P. Vorozheikin, S. S. Rusakov
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Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay

2020
In this chapter, I explore the relevance of early Russian montage theory and practice to new issues raised by the shift from the essay film to the audiovisual essay. I investigate how, specifically, Sergei Eisenstein’s vision of the new type of cinema of ideas formulated in his project for filming Marx’s Das Kapital, Dziga Vertov’s foregrounding of ...
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INTRODUCTION TO THE AUDIOVISUAL ESSAY: FROM YOUTUBE TO ACADEMIA

2019
Yevhen Vorozheikin, Serhii Rusakov
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THE AUDIOVISUAL ESSAY AND ACADEMIC COMMUNITY: HIGHLIGHTS AND SPECIFICS OF USE

2020
Y. P. Vorozheikin, S. S. Rusakov
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8. Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay

2020
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Lost and found: an avant-garde trajectory into the audiovisual essay

Media Practice and Education, 2020
This article dissects the audiovisual essay Found Found Found (de Bruyn [2014]. “Found Found Found” NECSUS: Autumn, 2014. https://necsus-ejms.org/found-found-found/).
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Three essays on the diversity of audiovisual imports

2016
International trade of cultural goods is characterized by a remarkable concentration of export flows from a small set of countries. As a consequence, trade in cultural goods is considered by many countries as a potential threat to cultural diversity.
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