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Pattern Reversal in Auditory Perception
The Journal of the Acoustical Society of America, 1971Perception of auditory patterns based on an intensity difference was tested in 30 normal subjects under binaural, monaural, and dichotic listening conditions. Each auditory pattern was made up of three temporally spaced white-noise bursts involving two elements, i.e., “Soft” (S) and “Loud” (L). Patterns included SLS, LSL, LLS, SSL, LSS, and SLL.
Paul H. Ptacek, Marilyn L. Pinheiro
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Auditory perception of reverberant surroundings
The Journal of the Acoustical Society of America, 1999Three experiments on perception of reverberant surroundings were performed. In the first experiment, listeners were presented with binaural recordings of a speech signal and a set of photographs taken in different rooms, and were asked to point out where each recording was made. Most listeners performed very well in this task (average number of correct
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Characterizing the dynamics of auditory perception
Chaos: An Interdisciplinary Journal of Nonlinear Science, 1995After listening to a sound that is presented repeatedly, subjects report hearing different transforms of the original sound. The frequency of reported transforms is a sensitive index of some speech disorders as well as cognitive flexibility in aging. In this paper, we propose and investigate quantitative measures that characterize the dynamics of this ...
Mingzhou Ding +2 more
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Psychoacoustics and Auditory Perception [PDF]
, 2014 Psychoacoustics and auditory perception are the study of the relationship between perception and the acoustic signal. The current methods and theories of psychoacoustics and auditory perception are probably derived from the early work of Fechner. The history of these studies can perhaps be divided into several major time periods: The Dominance of ...
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The Journal of the Acoustical Society of America, 1987
Recognition of sequential patterns of sound is basic to speech recognition, music perception, and identification of environmental sounds from birdsong to thunderclaps. While we define these sound patterns as sequences of brief sounds, the usual acoustical description has principally been the spectrum. For some 30 years, work has been reported on fusion
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Recognition of sequential patterns of sound is basic to speech recognition, music perception, and identification of environmental sounds from birdsong to thunderclaps. While we define these sound patterns as sequences of brief sounds, the usual acoustical description has principally been the spectrum. For some 30 years, work has been reported on fusion
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2015
In the previous chapters I have mainly argued from within a Leibnizian perspective — first giving an outline of his account of (unconscious) perception, then relating it to some empirical findings, notably from auditory research, and finally explicating Leibniz’s account of the transition between unconscious and conscious states.
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In the previous chapters I have mainly argued from within a Leibnizian perspective — first giving an outline of his account of (unconscious) perception, then relating it to some empirical findings, notably from auditory research, and finally explicating Leibniz’s account of the transition between unconscious and conscious states.
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AUDITORY PERCEPTION AND SPEECH EVOLUTION*
Annals of the New York Academy of Sciences, 1976Human speech perception seems to involve the ability to recognize groupings of speech sounds rather than component phonemes, and to distinguish between permuted orders of items within sequences as holistic entities. Humans can use this Holistic Pattern Recognition (HPR) not only with speech and music, but also with sequences of arbitrarily selected ...
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A synaptic and circuit basis for corollary discharge in the auditory cortex
Nature, 2014Richard Mooney, Xin Liao
exaly
Auditory Processing and Perception
2018Koedi S. Lawley, Jonathan F. Prather
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Restoration of auditory evoked responses by human ES-cell-derived otic progenitors
Nature, 2012Walter Marcotti, Marcelo N Rivolta
exaly