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2018
In this chapter, we propose to review studies on the capability of making explicit judgments about the duration of auditory time intervals. After a brief look at the main methods used to study time perception, we then focus on factors affecting sensitivity to time (e.
Yoshitaka Nakajima +3 more
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In this chapter, we propose to review studies on the capability of making explicit judgments about the duration of auditory time intervals. After a brief look at the main methods used to study time perception, we then focus on factors affecting sensitivity to time (e.
Yoshitaka Nakajima +3 more
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The Journal of the Acoustical Society of America, 2017
In the design process of concerts halls, it is the task of the architects—preferably with the aid of experience acoustical consultants— to transform their concept on how the hall should sound into built form. To this end, a profound knowledge of the psychoacoustics of listening in concert halls is mandatory.
Jonas Braasch, Jens Blauert
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In the design process of concerts halls, it is the task of the architects—preferably with the aid of experience acoustical consultants— to transform their concept on how the hall should sound into built form. To this end, a profound knowledge of the psychoacoustics of listening in concert halls is mandatory.
Jonas Braasch, Jens Blauert
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Sounds and Auditory Perception
2019What makes sounds intriguing items to investigate from a philosophical perspective is their double nature: on the one hand, they are produced by activities involving material objects, which are their sources and are able to carry information about them; on the other hand, they seem to be “disembodied,” detached from their sources, as having an ...
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Characterizing the dynamics of auditory perception
Chaos: An Interdisciplinary Journal of Nonlinear Science, 1995After listening to a sound that is presented repeatedly, subjects report hearing different transforms of the original sound. The frequency of reported transforms is a sensitive index of some speech disorders as well as cognitive flexibility in aging. In this paper, we propose and investigate quantitative measures that characterize the dynamics of this ...
Mingzhou Ding +2 more
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Pattern Reversal in Auditory Perception
The Journal of the Acoustical Society of America, 1971Perception of auditory patterns based on an intensity difference was tested in 30 normal subjects under binaural, monaural, and dichotic listening conditions. Each auditory pattern was made up of three temporally spaced white-noise bursts involving two elements, i.e., “Soft” (S) and “Loud” (L). Patterns included SLS, LSL, LLS, SSL, LSS, and SLL.
Paul H. Ptacek, Marilyn L. Pinheiro
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Auditory perception of reverberant surroundings
The Journal of the Acoustical Society of America, 1999Three experiments on perception of reverberant surroundings were performed. In the first experiment, listeners were presented with binaural recordings of a speech signal and a set of photographs taken in different rooms, and were asked to point out where each recording was made. Most listeners performed very well in this task (average number of correct
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Psychoacoustics and Auditory Perception [PDF]
, 2014 Psychoacoustics and auditory perception are the study of the relationship between perception and the acoustic signal. The current methods and theories of psychoacoustics and auditory perception are probably derived from the early work of Fechner. The history of these studies can perhaps be divided into several major time periods: The Dominance of ...
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AUDITORY PERCEPTION AND SPEECH EVOLUTION*
Annals of the New York Academy of Sciences, 1976Human speech perception seems to involve the ability to recognize groupings of speech sounds rather than component phonemes, and to distinguish between permuted orders of items within sequences as holistic entities. Humans can use this Holistic Pattern Recognition (HPR) not only with speech and music, but also with sequences of arbitrarily selected ...
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Demodulation Processes in Auditory Perception [PDF]
, 1990 Abstract : This document reports the accomplishments of a project on the application of the Envelope-Weighted Average of Instantaneous Frequency (EWAIF) model to the processing of complex, time-varying sounds. We consider the task of human listeners to be one of recovering information imposed on the sound stream by a variety of sources.
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2015
In the previous chapters I have mainly argued from within a Leibnizian perspective — first giving an outline of his account of (unconscious) perception, then relating it to some empirical findings, notably from auditory research, and finally explicating Leibniz’s account of the transition between unconscious and conscious states.
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In the previous chapters I have mainly argued from within a Leibnizian perspective — first giving an outline of his account of (unconscious) perception, then relating it to some empirical findings, notably from auditory research, and finally explicating Leibniz’s account of the transition between unconscious and conscious states.
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