Turno y Eneas en El vencimiento de Turno, de Antonio Manuel del Campo : una Eneida a lo divino [PDF]
, 2007 Este artículo analiza las deudas con la Eneida del auto sacramental El vencimiento de Turno (1658), de Antonio Manuel del Campo, atribuido falsamente a Calderón, en el que Eneas representa a Cristo y Turno es trasunto de Lucifer.
Echevarren, Arturo
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Deconstructing spiritual care: Discursive underpinnings within palliative care research
Nursing Inquiry, Volume 31, Issue 3, July 2024.Abstract Religion and spirituality are integral to the philosophy of palliative care, shaping its approach to spiritual care. This article aims to examine the discourses within palliative care research to illuminate prevailing assumptions regarding spiritual care.
Emma Lundberg +4 more
wiley +1 more source
A Clash of Powers: Church and State
Sociological Inquiry, Volume 94, Issue 1, Page 88-104, February 2024.Sociologists define power as one party's capacity to influence another's action. Thus, power is a relational property of interpersonal interaction. However, its dynamics embed within institutions such as the church and the state. This paper explores power dynamics using a case study of the conflict between an Old Order Amish church and the civil law of
Corey J. Colyer +2 more
wiley +1 more source
Notas a la «Loa» del Divino Narciso, auto sacramental de Sor Juana Inés de la Cruz
Revista de Literatura, 2009 El auto sacramental, el mito de Narciso y su proyección en la tipología cristiana según criterios teóricos y retóricos son los aspectos que se ponen en relación en este artículo sobre el «Divino Narciso» de sor Juana.
Enrique Marini Palmieri
doaj +1 more source
El camino de la reescritura: la metamorfosis en "El divino Narciso" de Sor Juana [PDF]
, 2010 El divino Narciso, like each auto sacramental, has the Eucharist as its principal theme, namely the transformation of the Christ into the sacred host. To symbolize this transformation in the theatre play, Sor Juana uses another metamorphosis: the history
Donadoni, Chiara, Houvenaghel, Eugenia
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Notes on the apocryphal legends of the Cross’ symbol in the auto sacramental La Araucana, Ms. 16738 of the Spanish National Library [PDF]
, 2014 Indexación: Revista UNABEl auto sacramental La Araucana es una pieza del teatro religioso del Siglo de Oro español que se conserva en un único manuscrito en el Fondo Osuna de la Biblioteca Nacional de España, bajo la signatura Ms. 16738.
Faúndez Carreño, Rodrigo
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El personaje de Caupolicán y la alegoría cristológica en La Araucana, auto sacramental atribuido a Lope de Vega [PDF]
, 2011 La presencia de las guerras de Arauco en el teatro español del Siglo de Oro constituye una temática muy amplia, circunstancia que se explica, en buena medida, por la existencia de dos prestigiosos modelos épicos: La Araucana de Ercilla y El Arauco ...
Mata Induráin, Carlos
core +1 more source
Credit in the Body of Christ (Northern France, 1300-1600) [PDF]
, 2013 This paper examines a practice that is nearly imperceptible to historians because the bulk of evidence for it is to be found in the interstices of the beaten paths of legal and social history and because it mixes economic and religious matters in a ...
Lange, Tyler
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Castilla: Estudios de Literatura, 2014 Manuscript 15631 from Spain's Biblioteca Nacional El nacimiento de San Juan Bautista. Auto Sacramental has received scarce critical attention. This has encouraged us to look into the unknown occurrences at Seville's Cabildo Municipal in 1610, the date in
Piedad Bolaños Donoso
doaj +6 more sources
A Neuroscientific and Cognitive Literary Approach to the Treatment of Time in Calderón's Autos sacramentales. [PDF]
Front Integr Neurosci, 2022 Rodríguez Villar AJ.
europepmc +1 more source