Results 81 to 90 of about 166 (117)

Los autos sacramentales de Calderón ante el nuevo milenio

, 2000
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Autos Sacramentales

2022
Performed in city streets during the Corpus Christi, the autos sacramentales were closely related to the sacrament of the Eucharist. As dramatic reimaginings of the abstract theological ideas about Fall and Redemption, death and transformation to new life informing this major Catholic feast, the autos were an artistic expression of the Golden Age idea ...
exaly   +3 more sources

Autos Sacramentales in Madrid, 1644

Hispanic Review, 1958
J E Varey, N D Shergold
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Autos sacramentales

2001
Strosetzki Christoph
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Die Buchmetaphorik in den Autos sacramentales

Iberoromania, 1981
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The Chronology of Calderon's Autos Sacramentales from 1647

Hispanic Review, 1969
Alexander A Parker
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A Problem in the Staging of Autos Sacramentales in Madrid, 1647-1648

Hispanic Review, 1964
J E Varey, N D Shergold
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Autos sacramentales alegoricos, y historiales

2021
Contiene los siguientes autos, con sus loas: El sacro parnaso (p. 1-35) ; El arca de Dios cautiua (p. 36-70) ; La humildad coronada de las plantas (p.71-101) ; Los encantos de la culpa (p.102-129) ; Quien hallara muger fuerte (p. 130-163) ; El jardin de Falerina (p. 164-218) ; El cordero de Isaias (p. 219-242) ; Mystica, y Real Babylonia (p. 243-277) ;
Calderón de la Barca, Pedro (1600-1681), Fernández de Apontes, Juan, fl. 1760 ed. lit. (Coordinador)   +1 more
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Calderon and the Protestant Reformation: A View from the Autos Sacramentales

Hispanic Review, 1981
ALTHOUGH there is little reason to suppose that Reformed Christianity had any significant defenders in the Spain of Calderon, some critics argue that one of his primary purposes in writing the Autos was to refute Protestant heresy, using the uniquely Catholic doctrine of transubstantiation in the Eucharist as a point of departure.1 One of the clearest ...
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Horses in Calderon's autos sacramentales

2023
En los autos sacramentales calderonianos, el simbolismo veterotestamentario del caballo de la soberbia guerrera derribada suele dominar. Pero, mediante la caída de caballo de Pablo, también se convierte en el instrumento de un arte ecuestre a lo divino.
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