Results 21 to 30 of about 705 (165)
The night representation, sign of modernism in the inter-war architecture
EGA, 2020 The architectural implementation of lighting advances in the 20s allowed the development of unexplored aspects by the most avant-garde architecture of the moment. By selecting and analyzing some particularly meaningful architectural drawings of the inter-
Rodrigo Almonacid Canseco
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Museum of Modern Art, 1944 : l’habit selon l’architecte Bernard Rudofsky
Perspective, 2021 When the Museum of Modern Art in New York opened the exhibition “Are Clothes Modern?” in 1944, it was the first time that the institution considered clothing and its ability to integrate the spectrum of practices and objects then qualified as modern. The
Émilie Hammen
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Small, EarlyView.Pioneering a butterfly‐inspired design strategy, this work engineers hybrid composites with hierarchical fibrous architectures to achieve synergistic performance. By translating biological principles into scalable composite architectures, it introduces a novel pathway to lightweight, multifunctional, and cost‐effective materials.
Nello D. Sansone +6 more
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ALL POSSIBLE PASTS: Heritage, Simulacra, and Gentrification in Seoul
International Journal of Urban and Regional Research, EarlyView.Abstract Urban heritage scholars have often criticized simulacra as ‘bad’ copies that degrade the ‘good’ model of the past through commercialization and gentrification. This article challenges such Platonic dichotomies of good/bad and model/copy, arguing that the binary of good heritage and bad simulacra is flawed because heritage is itself actualized ...
Myung In Ji
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P.J.H. Cuypers en de mythe van een progressieve architectuurgeschiedenis
Bulletin KNOB, 1996 Work and personality of P.J.H. Cuypers (1827-1921), the leading representative of gothic rationalism in the Netherlands, have been given a central role in the history of modern Dutch Architecture. This article shows that this position has only in part to
Aart Oxenaar
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Jacques Maritain, Maurice Blondel, and the Ends of Art
Modern Theology, EarlyView.Abstract This article reconsiders Jacques Maritain's philosophical poetics by situating it within his longstanding debate with Maurice Blondel over the nature and unity of intellect. I argue that Maritain's influential defence of artistic autonomy, first articulated in Art et scolastique (1920), is ultimately unsound.
Steven Toussaint
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1965. Rem Koolhaas in the Soviet Union [PDF]
Художественная культураThe article examines the formative interrelations between the phenomenology of impressions and the formation of a projective approach to architecture based on the fact of the journey of the Dutch architect R. Koolhaas to the Soviet Union (1965).
Sharapov Ivan A.
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Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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Stylistic Dynamics of the Russian (Soviet) Avant-Garde in the Architecture of Novosibirsk
Проект Байкал, 2019 This paper is dedicated to the problem of studying the communication potential of Russian avant-garde stylistics in architecture of Novosibirsk as a basis of actual progression from the position of discursive analysis.
Natalya Bagrova, Sergey Filonov
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A Study of the Kharkiv Architectural Avant-Garde
Docomomo JournalThe article addresses the issue of preserving Kharkiv’s architectural heritage from the first third of the 20th century. The main focus is on the preservation of authenticity of the early modernist heritage in the context of a crisis situation associated with the overall state of heritage preservation in Ukraine and during active military operations ...
Kateryna Cherkasova, Olesya Chagovets
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