Results 21 to 30 of about 74 (60)

The Cross-Sea Journey of Modern Colors: The Localization Process of Minnan Cement Patterned Tiles and Macau Portuguese Azulejos

Journal of Education, Humanities and Social Sciences
The primary objective of this study is to compare the processes of colour localisation in Minnan cement patterned tiles and Macau Portuguese Azulejos from the late 19th century to the mid-20th century. This research is grounded in the historical context of global modernisation and colonial expansion.
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Decoding Portuguese Azulejos: the intersection of art, history, and science [Resumo]

ABSTRACT: In recent decades, the production techniques of azulejos (Portuguese glazed tiles with predominantly blue color) remain a subject of ongoing research. Combining historical research with advanced analytical techniques, this communication aims to show that pigments and materials that define the azulejo colour palette, along with their ...
Veiga, JP, Coutinho, ML, Coentro, S., Silva, Teresa   +3 more
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La Venaria Reale. Palazzo Di Piacere, e Di Caccia (1674) De Amedeo Di Castellamonte: a influência de estampas de Georges Tasnière em azulejos portugueses (finais séc. XVII-1.ª Metade séc. XVIII)

, 2012
La producción portuguesa de azulejos, en sus logros artísticos que datande primera mitad del siglo XVIII, encuentra en las ilustraciones de lo libropiamontés La Venaria Reale. Palazzo di Piacere, y di Caccia, publicado en Turínen 1674, la inspiración para ciertas representaciones en azulejo, obras hechastanto a la clientela eclesiástica quiere ...
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[Experiences of "Africas:" collections of African pieces by three contemporary Portuguese artists]. [PDF]

Hist Cienc Saude Manguinhos
Rivera JC.
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Alegoría y cultura histórica franciscana en los azulejos portugueses del Convento de San Antonio de Paraíba (Brasil, siglo XVIII)

Revista del Instituto Riva-Agüero
La franja de azulejos en la iglesia del Convento de San Antonio en Paraíba, producida en la década de 1730, representa la saga de José de Egipto en una narrativa continua. Esta decoración refuerza la idea de una vida santa como ejemplo, utilizando imágenes religiosas como modelo de conducta, en sintonía con la cultura histórica barroca arraigada en ...
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[Portuguese health and medicine during the first quarter of the twentieth century through the lenses of Jorge Marçal da Silva]. [PDF]

Hist Cienc Saude Manguinhos
Silva MM.
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Azulejos portugueses da influência “Arts and Crafts” da Casa de Roque Gameiro, Amadora

, 2015
The Casa Roque Gameiro, in Amadora, houses four tiled ashlars, of high quality, integrated in the Arts and Crafts, movement founded and implemented by William Morris, through the aesthetic ideology of John Ruskin, in England, in particular from the firm Morris & Co, ideas that will also broadcast from New Art proposals (in particular the Jugenstil and ...
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The Azulejo (Tile) Work of Portuguese Painter José António Jorge Pinto During the Art Nouveau Period

, 2018
The azulejos (tiles) are one of the most recognizable characteristic of Portugal. The entire or partial coverage of indoor/outdoor spaces and facades of buildings has been a constant decorative and effective resource for at least five centuries. In the Art Nouveau period the tile achieved a fine level.
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Once Upon a Tile: Proposta de Renovação Estética e de Património dos Azulejos Portugueses

, 2020
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Kunstwollen, alegoria e cultura histórica barroca: José do Egito e o franciscanismo nos azulejos portugueses do convento de Santo Antônio da Paraíba (século XVIII)

O capítulo aborda a cultura histórica barroca e o conceito de Kunstwollen nos azulejos do Convento de Santo Antônio da Paraíba, destacando o painel narrativo da saga de José do Egito, atribuído ao mestre português Teotónio dos Santos (1688-1762).
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