Results 31 to 40 of about 321 (89)
4th EURASIA INTERNATIONAL FILM FESTIVAL ALMATY The Saga of Chingiz AitmatovWhen Chingiz Aitmatov went onstage in the spacious Palace of the Republic in Almaty (former Alma-Ata) at the closing gala of the Fourth Eurasia International Film Festival (23-29 ...
Holloway, Ron
core +2 more sources
Rasgos de una identidad étnica en la filmografía de Bahman Ghobadi
Este artículo discute el cine como medio de construcción de identidad. Para ello nos enfocamos en las limitantes identitarias que enfrenta la etnia kurda derivadas de su condición marginal en Irán, Iraq, Siria y Turquía. Nuestro estudio se desarrolla en cuatro partes: en un momento inicial presentamos la cuestión kurda y las políticas restrictivas ...
openaire +1 more source
‘Whose Liberation? Iranian Popular Music and the Fetishisation of Resistance’ [PDF]
This article explores a number of issues concerning the representation of Iranian popular music outside Iran, and specifically the somewhat romanticized discourses of ‘resistance’ and ‘freedom’ which have tended to characterise both journalistic and ...
Nooshin, L.
core +1 more source
Donostia 2004. Un grapat de bones complicitats i moltes coses més... [PDF]
not ...
Revesado, Iñaki
core
Donostia 2009: Una com les d'abans arribada d'Argentina, l'absurditat de totes les guerres en versió xinesa i després, a un altre nivell, tota la resta... [PDF]
not ...
Revesado, Iñaki
core
THE VERSES OF TWO POETS ON SCREEN; RHINO SEASON AND THE BUTTERFLY’S DREAM [PDF]
As a literary form, poetry was seen as a fruitful model for the creative process of the morelyrical side of experimental film practices. In this sense, most critics mainly concern with theaesthetics of visual narrations of films evaluating them as poetry.
ÖNAL, Hülya
core +1 more source
Altres vies per al cinematògraf. Set instants de reflexió suscitats a l'entorn d'Una forma que piensa i altres formes del cinematògraf [PDF]
not ...
Planas, Sebastián
core
Documental: Sin ánimo de lucro [PDF]
This medium-length film includes the cities of Johannesburg, Pretoria, Soweto and Cape Town, where my brother and I filmed and interviewed with personnel connected in one way or another with schools and orphanages, both public and private.
González Capella, Cayetano
core

