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The First Hundred Years of Mikhail Bakhtin
, 2018Acknowledgments Abbreviations Introduction East Meets West in the Ex-USSR PART ONE: XXX: BAKHTIN STUDIES, BAKHTINISTICS, BAKHTINOLOGY Chapter One The Russians Reclaim Bakhtin, 1975 to the Jubilee The Three Worlds of Mikhail Bakhtin The Post-Stalinist ...
Caryl Emerson
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Two diverging paths toward a common destination: The dialogism of Vygotsky and Bakhtin
Culture & Psychology, 2019A search for a distinctive human trait was a common intellectual quest during the beginning of the 20th century. Consciousness was often discussed as the unique feature of humanness and Vygotsky and Bakhtin joined in the debate with their unique ...
Barohny Eun
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Tawhiao’s Unstated Heteroglossia: Conversations with Bakhtin
Bakhtin in the Fullness of Time, 2017In the face of land confiscations and other forms of imperialism characteristic of the 19th century in Aotearoa/New Zealand, the second Maori King Tawhiao devised a number of sayings that seem at first glance to be entirely mythical.
C. Mika, S. Tiakiwai
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Bakhtin and the Russian Avant Garde in Vitebsk: Creative understanding and the collective dialogue
Bakhtin in the Fullness of Time, 2017This paper locates its genesis in a small town called Vitebsk in Belorussia which experienced a flowering of creativity and artistic energy that led to significant modernist experimentation in the years 1917–1921. Marc Chagall, returning from the October
E. Jayne White, M. Peters
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The Dostoevsky Journal, 2015
Although Bakhtin did not use special narratological terms, he was interested in narratological issues. The significance of Bakhtin’s thought is especially felt in three fields of narratology: the correlation between the author and narrator figure (according to Bakhtin between the “primary” and “secondary” authors); the problem of eventfulness; and ...
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Although Bakhtin did not use special narratological terms, he was interested in narratological issues. The significance of Bakhtin’s thought is especially felt in three fields of narratology: the correlation between the author and narrator figure (according to Bakhtin between the “primary” and “secondary” authors); the problem of eventfulness; and ...
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Rhetoric Review, 1996
No one in the history of philosophy and the history of rhetoric, not even the sophists, has been more abused than Socrates.1 The sophists were merely scorned and maligned.2 Socrates was quite eliminated, his voice appropriated by another.3 As a consequence, Socrates has traditionally been read as a mere point of origination of Platonic/Aristotelian ...
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No one in the history of philosophy and the history of rhetoric, not even the sophists, has been more abused than Socrates.1 The sophists were merely scorned and maligned.2 Socrates was quite eliminated, his voice appropriated by another.3 As a consequence, Socrates has traditionally been read as a mere point of origination of Platonic/Aristotelian ...
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1995
The language theory of Mikhail Bakhtin does not fall neatly under any single rubric - 'dialogism,' 'marxism,' 'prosaics,' 'authorship' - because the philosophic foundation of his writing rests ambivalently between phenomenology and Marxism. The theoretical tension of these positions creates philosophical impasses in Bakhtin's work, which have been ...
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The language theory of Mikhail Bakhtin does not fall neatly under any single rubric - 'dialogism,' 'marxism,' 'prosaics,' 'authorship' - because the philosophic foundation of his writing rests ambivalently between phenomenology and Marxism. The theoretical tension of these positions creates philosophical impasses in Bakhtin's work, which have been ...
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2013
Legendary philosopher and literary critic Mikhail Bakhtin (1895-1975) developed concepts which are bywords within poststructuralist and new historicist literary criticism and philosophy yet have been under-utilised by artists, art historians and art critics.
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Legendary philosopher and literary critic Mikhail Bakhtin (1895-1975) developed concepts which are bywords within poststructuralist and new historicist literary criticism and philosophy yet have been under-utilised by artists, art historians and art critics.
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14. Hermeneutics and Genre: Bakhtin and the Problem of Communicative Interaction
, 2020Thomas Kent
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