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This chapter discusses modernist music and performance in the aftermath of the first Russian Revolution. It begins by looking at the unrealized ballet by Sergei Prokofiev, Ala and Lolli (1915). Initially commissioned from Prokofiev by Sergei Diaghilev in 1914, it was later rejected by him as “international music.” This prompted Prokofiev to rework it ...
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Book Review: Tzvetan Todorov, The Fear of Barbarians
, 2014Francesca Romana Ammaturo
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Waiting for the Barbarians: disciplinary devices on Metro de Santiago
, 2013Sebastián Ureta
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3. Ritualized Encounters: Late Roman Diplomacy and the Barbarians, Fifth–Sixth Century
, 2013W. Pohl
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is political science producing technically competent barbarians?
European Political Science, 2005Bo Rothstein
exaly