Results 121 to 130 of about 2,515 (163)

Barnett Newman: Art of the South Seas, 1946

2003
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Barnett Newman's Broken Obelisk

Art Journal, 1994
Barnett Newman's monumental architectural sculpture Broken Obelisk (fig. 1) would seem at first to be unrelated to the principal history of his generation, that is, World War II with its millions of dead. After all, the sculpture was designed for no particular site in 1963–64 and fabricated in 1967 in an edition of three.
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Barnett Newman's Zip as Figure

Deleuze Studies, 2012
Challenging the formalist critical legacy of Clement Greenberg and Michael Fried, this essay advocates an alternative philosophical lineage for Modernist painting through a specific focus on Barnett Newman's vertical stripe or ‘zip’. This genealogy is rooted in Newman's own self-confessed interest in painting as a disclosure of the sensation of time ...
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On Barnett Newman'sThe Wild

Art Journal, 2014
Barnett Newman, The Wild, 1950, oil on canvas, 7 ft. 11¾ in. × 1⅝ in. (243 × 4.1 cm). Museum of Modern Art, New York, gift of the Kulicke Family (artwork © 2014 Barnett Newman Foundation/Artists Ri...
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Barnett Newman and Heideggerian Philosophy

2012
As a major member of the New York School, Barnett Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art.
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INTUITION AND THE INCIDENTAL: THE PAINTINGS OF BARNETT NEWMAN

Studies in Conservation, 2004
In 1948 Barnett Newman made a modest-sized oil painting incorporating masking tape. Newman considered this painting, which he later entitled Onement I, to be his artistic breakthrough and indeed it does represent, both conceptually and in the artist’s use of his materials, a radical shift from his preceding works.
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Barnett Newman

Leonardo, 1980
Harry Rand, Harold Rosenberg
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Barnett Newman beyond the impasse

In 1970, American Abstract Expressionist artist Barnett Newman (1905-1970) stated that if his “paintings were properly understood, it would be the end of state capitalism and authoritarianism.” Literature on the artist spans from formalist analyses that ignore the social and political import of Newman’s work to more robust considerations that include ...
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Barnett Newman and the Kabbalah

American Art, 1995
Annalee Newman, Matthew Baigell
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Barnett Newman

Choice Reviews Online, 2002
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