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Proceedings of the 2008 Conference on Future Play: Research, Play, Share, 2008
This paper documents the design and development of a Flashbased Baroque music game, "Tafelkids: The Quest for Arundo Donax", focusing on the tension between constructing an online resource that an audience aged 8--14 would find fun and engaging, and the directive to include historical information and facts, as well as convey some of the sounds, musical
Suzanne de Castell +3 more
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This paper documents the design and development of a Flashbased Baroque music game, "Tafelkids: The Quest for Arundo Donax", focusing on the tension between constructing an online resource that an audience aged 8--14 would find fun and engaging, and the directive to include historical information and facts, as well as convey some of the sounds, musical
Suzanne de Castell +3 more
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2018
The city was a primary theater of Baroque rhetorical projection. At once political, anagogical, and aesthetic, from its built form to the ephemeral structures and processions that animated it, the Baroque city was shaped into a theatrical space. The city was also a microcosm, a world in miniature. Political means were directed toward the representation
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The city was a primary theater of Baroque rhetorical projection. At once political, anagogical, and aesthetic, from its built form to the ephemeral structures and processions that animated it, the Baroque city was shaped into a theatrical space. The city was also a microcosm, a world in miniature. Political means were directed toward the representation
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2017
Baudelaire discovers the baroque art on the occasion of his stay in Belgium. He tries then to define what he calls the jesuitical style: he does it underling the contrast between death and life and observes the presence of the theatricality in the baroque architecture.
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Baudelaire discovers the baroque art on the occasion of his stay in Belgium. He tries then to define what he calls the jesuitical style: he does it underling the contrast between death and life and observes the presence of the theatricality in the baroque architecture.
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Seventeenth-Century French Studies, 1994
Etude du jeu de l'autorite sous trois angles differents mais complementaires : narrateur-lecteur, narrateur-personnage, personnages entre ...
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Etude du jeu de l'autorite sous trois angles differents mais complementaires : narrateur-lecteur, narrateur-personnage, personnages entre ...
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2018
“Baroque” is not a political concept. To speak of the “baroque state” implies that the epoch denoted as “the baroque” by art historians (the late sixteenth to eighteenth centuries) has certain significant commonalities in political terms as well. This chapter tries to describe a particular political style that linked the countries of Christian Europe ...
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“Baroque” is not a political concept. To speak of the “baroque state” implies that the epoch denoted as “the baroque” by art historians (the late sixteenth to eighteenth centuries) has certain significant commonalities in political terms as well. This chapter tries to describe a particular political style that linked the countries of Christian Europe ...
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Cahiers de l'Association internationale des études francaises, 1987
Bercot Martine. Musset baroque ?. In: Cahiers de l'Association internationale des études francaises, 1987, n°39. pp. 221-236.
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Bercot Martine. Musset baroque ?. In: Cahiers de l'Association internationale des études francaises, 1987, n°39. pp. 221-236.
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Le néo-baroque en question : Baroque, vous avez dit baroque ?
America, 1998Moulin-Civil Françoise. Le néo-baroque en question : Baroque, vous avez dit baroque ?. In: América : Cahiers du CRICCAL, n°20, 1998. Le néo-baroque. pp. 23-49.
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2018
Although the concept “baroque” is less obviously applicable to philosophy than to the visual arts and music, early modern philosophy can be shown to have connections with baroque culture. Baroque style and rhetoric are employed or denounced in philosophical controversies, to license or discredit a certain style of philosophizing.
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Although the concept “baroque” is less obviously applicable to philosophy than to the visual arts and music, early modern philosophy can be shown to have connections with baroque culture. Baroque style and rhetoric are employed or denounced in philosophical controversies, to license or discredit a certain style of philosophizing.
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1952
Joannes Lutma was born in Emden about 1585 and established himself as a silversmith in Amsterdam in 1621. In 1623 he married Mayken Roelants who, the following year, bore him a son, Joannes. This son became a silversmith like his father. A second son, Jacobus, became an engraver.
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Joannes Lutma was born in Emden about 1585 and established himself as a silversmith in Amsterdam in 1621. In 1623 he married Mayken Roelants who, the following year, bore him a son, Joannes. This son became a silversmith like his father. A second son, Jacobus, became an engraver.
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