Results 31 to 40 of about 44,365 (227)

Lire L'empire des signes de Barthes comme écriture de voyage [PDF]

open access: yes, 2004
Cet exposé aborde L’empire des signes de Roland Barthes comme une écriture de voyage. L’empire des signes a été publié en 1970 par les Éditions Albert Skira de Genève ‘composé dans un caractère créé spécialement’ (Barthes 1970, page de garde) et ...
Mansfield, Charlie
core   +3 more sources

Barth syndrome cardiomyopathy [PDF]

open access: yesCardiovascular Research, 2017
Barth syndrome (BTHS) is an inherited form of cardiomyopathy, caused by a mutation within the gene encoding the mitochondrial transacylase tafazzin. Tafazzin is involved in the biosynthesis of the unique phospholipid cardiolipin (CL), which is almost exclusively found in mitochondrial membranes.
Jan, Dudek, Christoph, Maack
openaire   +2 more sources

Exploring children's experiences of schooling in Tanzania: How the ‘hidden curriculum’ undermines aspirations for sustainable development

open access: yesChildren &Society, EarlyView.
Abstract In the context of aspirations that firmly position education as the key to multiple global development goals, we raise concerns about how education is experienced by many children, particularly in low‐income, postcolonial contexts. Drawing from two, in‐depth qualitative studies in Tanzania, we demonstrate that existing pedagogical practices ...
Laela Adamson, Rhona Brown
wiley   +1 more source

The value of the unreadable: Sarlo and Gramuglio’s commitment to Saer’s literature

open access: yesEstudios de Teoría Literaria, 2021
In the texts on the literature of Juan José Saer that María Teresa Gramuglio and Beatriz Sarlo published from 1969 to 1986 it is possible to trace a persistence: Saer’s work is unique because it resists the readability codes of the time.
Malena Pastoriza
doaj  

A relevância filosófica do conceito de Neutro de Roland Barthes

open access: yesRELACult, 2019
Este artigo pretende destacar a influência e a relevância filosófica do conceito de Neutro, do intelectual francês Roland Barthes. O Neutro corresponde a tudo que burla o paradigma da oposição binária da criação de sentido, portanto, ele é uma “terceira ...
Almir Sodré Bastos   +1 more
doaj   +1 more source

Unravelling the phylogeny of armadillos and their kin (Mammalia, Xenarthra, Cingulata) combining morphological, molecular, and stratigraphic data

open access: yesCladistics, EarlyView.
Abstract Cingulata, a major lineage of Xenarthra, comprises extinct and extant armoured placental mammals that diversified throughout the Cenozoic. Despite extensive study, phylogenetic hypotheses based on morphological and molecular data remain incongruent, and no total evidence analysis has been conducted. Here, we integrate the largest morphological
Daniel M. Casali   +7 more
wiley   +1 more source

Wychodząc z kina

open access: yesKwartalnik Filmowy, 2021
Esej Rolanda Barthes’a, pierwotnie opublikowany w czasopiśmie „Communications” (1975, nr 23), określa „sytuację kinową” jako „prehipnotyczną”. Autor analizuje warunki specyficzne dla sali kinowej, a także stan psychiczny widza przed wejściem do kina i ...
Roland Barthes
doaj   +1 more source

Wolf Barth (1942–2016) [PDF]

open access: yesJahresbericht der Deutschen Mathematiker-Vereinigung, 2017
In this article we describe the life and work of Wolf Barth who died on 30th; December 2016. Wolf Barth's contributions to algebraic variety span a wide; range of subjects. His achievements range from what is now called the Barth-Lefschetz theorems to his fundamental contributions to the theory of algebraic surfaces and moduli of vector bundles, and ...
Bauer, Thomas   +4 more
openaire   +3 more sources

Littérature / Enseignement. Entretien avec Roland Barthes

open access: yes, 1975
Barthes Roland. Littérature / Enseignement. Entretien avec Roland Barthes . In: Pratiques : linguistique, littérature, didactique, n°5, 1975. pp.
Barthes, Roland
core   +1 more source

Body and mask: dramaturgies of the face in Roland Barthes

open access: yes, 2023
Many of Barthes’ writings share an attentiveness to the face in performance. Even where his interest is in the face as mediated image, he draws on theatrical figures (e.g., when describing Greta Garbo’s face as a mask). However, Barthes’ contributions to
Bachmann, Michael
core   +1 more source

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