Results 101 to 110 of about 175,733 (208)

“Tenho medo, logo vivo”: Roland Barthes em "Não escrever", de Paloma Vidal

open access: yesRevista Criação & Crítica, 2021
A parodia do cogito cartesiano “tenho medo, logo vivo” é enunciada por Roland Barthes em “L’image”, no colóquio Prétexte : Roland Barthes. A frase é emprestada por Paloma Vidal, no desfecho de seu livro cartonero Não escrever, em que Barthes é ...
Katerina Blasques Kaspar
doaj  

Non-pareille? Issues in Modern French Photo-Essayism [PDF]

open access: yes, 2005
[FIRST PARAGRAPH][L]’esthéthique sait depuis longtemps que l’image, contrairement à ce que croit et fait croire la machine d’information, montre toujours moins bien que les mots toute grandeur qui passe la mesure: horreur, gloire, sublimité, extase ...
Stafford, A.
core  

Literature: social commitment and subversion

open access: yesEstudios de Teoría Literaria, 2016
What is literature in contemporary societies? How to articulate it in a University territory in which critical thinking is absent? In the light of the lastest guidelines governing educational basis, it is a place devoid of property, stripped of any ...
Alfredo Saldaña Sagredo
doaj  

Structural health monitoring of high voltage electrical switch ceramic insulators in seismic areas [PDF]

open access: yes, 2014
High voltage electrical switches are crucial components to restart rapidly the electrical network right after an earthquake. But there currently exists no automatic procedure to check if these ceramic insulators have suffered after an earthquake, and ...
BARTHES, Clément   +3 more
core   +3 more sources

Itineraries of textual enjoyment. From Barthes to Masotta

open access: yesEstudios de Teoría Literaria, 2016
The following study proposes a research of the link between Roland Barthes and Oscar Masotta, to the end of showing the articulation of the critical practice born with the French theory and its projection over the Argentinean cultural scene of the 1960s.
Rodrigo Montenegro
doaj  

Reading Graphic Design in Cultural Context [PDF]

open access: yes, 2019
Bloomsbury Publishing Plc 2019.Reading Graphic Design: •Is a much needed examination of graphic design in the expanded field •Forms an introduction to writing critically about graphic design through twelve chapters providing exemplary analyses of the ...
Lees-Maffei, Grace, Maffei, Nicolas
core  

For a critique of love reason. Barthes, Shakespeare and the closure of the subject of desire

open access: yesEstudios de Teoría Literaria, 2016
Both the Shakespeare’s Sonnets (1609) and Barthes’s Fragments d’un discours amoureux (1977) are referred in the first place to the prevailing subjective structure of Modernity, named after Lacan and Barthes himself as the “subject of desire’s structure”.
David Fiel
doaj  

When conventional procedures are no longer the rule for application: design as a discipline opens up to new possibilities [PDF]

open access: yes, 2009
This paper discusses the development of the prototype application ‘LabanAssist’. It looks at the design rationale used for the creation of what is fundamentally a system for recording dance knowledge on a score, as identifiable and replicable signs and ...
Ebenreuter, Natalie
core  

When is an exploration exploratory?  A comparative analysis of geometry lessons [PDF]

open access: yes, 2018
This paper presents a comparative analysis of two textbook lessons on the same topic from U.S. textbooks to learn how differently - designed “exploratory” lessons may structure content to enable or constrain student inquiry. One lesson, representative of
Dietiker, Leslie, Richman, Andrew
core  

Fragmentos para H. (1977).

open access: yesRevista de la Asociación Española de Neuropsiquiatría, 1997
Sin resumen.
Roland Barthes
doaj  

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