Results 81 to 90 of about 46,714 (223)
, 2019 There is a very significant passage in this long unpublished interview by Paolo Fabbri with Roland Barthes: if only because it clearly indicates one of the main theoretical opponents of the structural analysis of narrative.
Giovanni Marrone
core
What’s So Great About Roland Barthes?
, 2015 One hundred years after his birth, the work of Roland Barthes (1915–1980) remains compelling in a wide variety of fields and disciplines. The great power of his work resides, perhaps, in its radical plurality. Nevertheless, beneath such variation we find
Baldwin, Thomas +2 more
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71 Année Fantastique. Réflexivité et séries télévisées sur les chaînes de l'ORTF
Alternative Francophone, 2015 En 1971, l’ORTF diffuse trois programmes fantastiques fortement marqués par la réflexivité et des jeux portant sur l’énonciation et le médium télévisuel, construisant une forte connivence avec le public.
Séverine Barthes
doaj +1 more source
Exhibiting AI images: Unexpected outputs, linguistic inequalities, and curatorial possibilities
Anthropology and Humanism, Volume 51, Issue 2, December 2026.Abstract Structured around latent data spaces that store masses of semantic associations, AI image generators have an intrinsic capacity to draw connections their users might not expect. Their outputs thus have the potential to engender characteristically anthropological epistemic shifts: subverting pernicious stereotypes, opening up horizons of ...
Nicholas J. Long
wiley +1 more source
Julian Barnes’s Flaubert’s Parrot and the Writerly Text
Critical Literary StudiesThis paper examines Julian Barnes’s Flaubert’s Parrot by the five semiotic codes of the French literary critic Roland Barthes introduced in his renowned work S/Z, to show that the novel is a ‘writerly’ rather than a ‘readerly’ text.
Vali Gholami, Payam Babaie
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Transactions of the Institute of British Geographers, Volume 51, Issue 4, December 2026.Short Abstract This paper contributes to conceptual debates on ruins by generating novel insights into how encounters with the haunted materialities of ruins in the field inform (post)colonial trajectories of exploration. Empirically, it examines how material and spectral traces of past lives in the field, alongside play with categories of absence and ...
Johanne M. Bruun
wiley +1 more source
Some Notes on La Faiseuse D'anges (A Fazedora De Anjos, 1908), by Pedro Weingärtner
Future Humanities, Volume 4, Issue 2, November 2026.ABSTRACT Pedro Weingärtner's La Faiseuse d'Anges (A Fazedora de Anjos, 1908) stands as one of the most unsettling artefacts of Brazilian academic painting. Conceived in Rome but rooted in the Parisian fait divers of the ‘angel‐maker,’ it translates a sensational story of reproductive crime into a monumental moral tableau.
Gustavo Ruiz da Silva
wiley +1 more source
Estudios de Teoría Literaria, 2019 Reseña bibliográfica del libro de Aina Pérez Fontdevila y Meri Torras Francès (editoras), ¿Qué es una autora? Encrucijadas entre género y autoría, Barcelona, Icaria Editorial, 2019, 336 pp.
Julieta Flores Jurado
doaj
Tidskrift för Litteraturvetenskap, 2018 Översättning av Roland Barthes klassiska essä Författarens död från 1968, samt kommentarer av Ingrid Elam och Jon Helt Haarder. På grund av upphovsrättsliga skäl publiceras essän och kommentarerna enbart i den tryckta utgåvan.
Roland Barthes
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, 2009 Located on the Baltic Sea between Rostock and Stralsund, the Barth subcamp was part of the Ravensbrück concentration camp and consisted of one section for men and one for women. It was a project of Ernst Heinkel AG, Rostock, which transferred a part of its aircraft production from its main Rostock factory to Barth in order to protect it from Allied air
openaire +1 more source