Results 31 to 40 of about 46,714 (223)

ROLANDA BARTHES’A TĘSKNOTA ZA NEUTRALNYM [PDF]

The Polish Journal of Aesthetics, 2014
Esej Rolanda Barthes’a tęsknota za Neutralnym poświęcony jest przybliżeniu głównego tematu jednego z ostatnich seminariów Rolanda Barthes’a, Le Neutre.
Jakub Niedźwiedzki
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Lire L'empire des signes de Barthes comme écriture de voyage [PDF]

, 2004
Cet exposé aborde L’empire des signes de Roland Barthes comme une écriture de voyage. L’empire des signes a été publié en 1970 par les Éditions Albert Skira de Genève ‘composé dans un caractère créé spécialement’ (Barthes 1970, page de garde) et ...
Mansfield, Charlie
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Biografia e autobiografia in Barthes (1915-1980) e Lotman (1922-1993): un confronto di prospettive [PDF]

Ocula, 2016
This essay deals with the theme of autobiography (or, better still, of personal biography) through the comparison of two ‘autobiographies’, those of Roland Barthes and Jurij M. Lotman.
Isabella Pezzini
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Verso un lessico barthesiano: prime voci [PDF]

Ocula, 2016
In the following essay Gianfranco Marrone presents two entries from a more comprehensive work on Barthes’ lexicon: Work/Text and Obvious/Obtuse. In the first entry Marrone follows the intellectual process that led to a conceptual revolution in semiotic ...
Gianfranco Marrone
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Body and mask: dramaturgies of the face in Roland Barthes

, 2023
Many of Barthes’ writings share an attentiveness to the face in performance. Even where his interest is in the face as mediated image, he draws on theatrical figures (e.g., when describing Greta Garbo’s face as a mask). However, Barthes’ contributions to
Bachmann, Michael, Michael Bachmann
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Autoria e propriedade

Viso, 2010
Este artigo corresponde a comunicação proferida na mesa "Autoria" do Colóquio "Gênio, criação, autoria", organizado pela Revista Viso e pela Escola de Artes Visuais do Parque Lage, e realizado nas dependências dessa instituição entre os dias 03 e 05 de ...
Glória Ferreira
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Dal mito classico al mito riciclato: La cultura di massa secondo Roland Barthes [PDF]

Ocula, 2016
This essay makes critical reference to Barthes’ Mythologies (1956), the text which has been recognised as fundamental to the semiological study of mass and popular culture.
Marcel Danesi
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THE REPRESENTATION OF THE MYTHOLOGICAL TANUKI IN STUDIO GHIBLI’S POM POKO: BARTHESIAN SEMIOTIC ANALYSIS

Language Literacy: Journal of Linguistics, Literature, and Language Teaching
Studio Ghibli’s animated film Pom Poko presents the tanuki or raccoon dogs which, according to the Japanese myth, have magical power of impersonating human or shape-lifting.
Wedhowerti Wedhowerti
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Il volto nascosto di Dio. Dall'analisi di Barthes della lotta di Giacobbe (Genesi 32,23-33) al libro di Ester [PDF]

Ocula, 2016
In 1972 Roland Barthes published a brief analysis of the text of Genesis 32, traditionally called Jacob Wrestles with the Angel. In that period, the first structural analysis tools were being tested and among them Barthes used also Greimas’ actantial ...
Stefano Traini
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The stones on the perimeter of the circle. Disquisitions on Roland Barthes’ Camera lucida and its possible connections with Inés Ulanovsky’s Fotos tuyas

Estudios de Teoría Literaria, 2020
In the studies on image and photography, Camera lucida of Roland Barthes is usually considered a milestone, not only for the appropriation of some notions but for the reactions and criticisms that it provoked.
Bruno Crisorio, Silvina Sánchez
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