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Body and mask: dramaturgies of the face in Roland Barthes
Many of Barthes’ writings share an attentiveness to the face in performance. Even where his interest is in the face as mediated image, he draws on theatrical figures (e.g., when describing Greta Garbo’s face as a mask). However, Barthes’ contributions to
Bachmann, Michael, Michael Bachmann
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Biografia e autobiografia in Barthes (1915-1980) e Lotman (1922-1993): un confronto di prospettive [PDF]
This essay deals with the theme of autobiography (or, better still, of personal biography) through the comparison of two ‘autobiographies’, those of Roland Barthes and Jurij M. Lotman.
Isabella Pezzini
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Verso un lessico barthesiano: prime voci [PDF]
In the following essay Gianfranco Marrone presents two entries from a more comprehensive work on Barthes’ lexicon: Work/Text and Obvious/Obtuse. In the first entry Marrone follows the intellectual process that led to a conceptual revolution in semiotic ...
Gianfranco Marrone
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Este artigo corresponde a comunicação proferida na mesa "Autoria" do Colóquio "Gênio, criação, autoria", organizado pela Revista Viso e pela Escola de Artes Visuais do Parque Lage, e realizado nas dependências dessa instituição entre os dias 03 e 05 de ...
Glória Ferreira
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Dal mito classico al mito riciclato: La cultura di massa secondo Roland Barthes [PDF]
This essay makes critical reference to Barthes’ Mythologies (1956), the text which has been recognised as fundamental to the semiological study of mass and popular culture.
Marcel Danesi
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Studio Ghibli’s animated film Pom Poko presents the tanuki or raccoon dogs which, according to the Japanese myth, have magical power of impersonating human or shape-lifting.
Wedhowerti Wedhowerti
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Il volto nascosto di Dio. Dall'analisi di Barthes della lotta di Giacobbe (Genesi 32,23-33) al libro di Ester [PDF]
In 1972 Roland Barthes published a brief analysis of the text of Genesis 32, traditionally called Jacob Wrestles with the Angel. In that period, the first structural analysis tools were being tested and among them Barthes used also Greimas’ actantial ...
Stefano Traini
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In the studies on image and photography, Camera lucida of Roland Barthes is usually considered a milestone, not only for the appropriation of some notions but for the reactions and criticisms that it provoked.
Bruno Crisorio, Silvina Sánchez
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Paul de Man, Judith Podlubne, Barthes en cuestión
Bibliographic review of Paul de Man, Judith Podlubne. Barthes en cuestión. Nube Negra-Bulk, 2020, 74 pp.
Julieta Novelli
doaj
Addressing the Energy Trilemma: The Role of Entrepreneurship, Regulation, and Climate Finance
ABSTRACT Balancing energy security, energy equity, and environmental sustainability has become increasingly challenging as economies pursue low‐carbon growth amid climate risk and persistent disparities in access to modern energy. Although entrepreneurship is widely recognized as a driver of innovation, its role in addressing the energy trilemma ...
Kingsley Imandojemu +3 more
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