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Batman Begins , the Dark Knight Trilogy, and the Taming of the Orient
ABSTRACT Christoper Nolan's 2005 Batman Begins and the subsequent Dark Knight films (2008, 2012) represent a critical juncture in the history of twenty‐first century film, helping to inaugurate a twenty‐first neo‐noir and gritty realist trend. The films also deal with the thorny issue of Orientalism.
Jesse Russell
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Christopher Nolan’s Batman Begins (2005): Vigilantism, Poison, & Mad Doctors
Danel Olson
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Heroism and Karma Capitalism in Batman Begins
Seonggyu Kim
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Shorten goes colder on Adani coal mine as the battle for Batman begins
Michelle Grattan
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Batman Begins turns 20: Nolan’s trilogy challenged power, but still sided with the system
Irene Zarza-Rubio
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From flying man to falling man: 9/11 discourse in Superman Returns and Batman Begins
Dan Hassler‐Forest
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