Results 11 to 20 of about 17,984 (184)
Gothic Oedipus: Subjectivity and Capitalism in Christopher Nolan's Batman Begins’ [PDF]
, 2006 Mark Fisher
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PsyArt, 2013 The paper begins with an overview of stylistic and narrative features of Nolan's films (tracing his sources of influence), which consistently reveals their explicit psychological motivation. The bulk of the paper thus consists of a psychological analysis of three films (Batman Begins, The Dark Knight and Inception) as examples of Nolan’s exploration of
Vuković, Krešimir, Petković, Rajko
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Justification of panopticon in superhero movies: The Batman Movie
Journal of Design for Resilience in Architecture and Planning, 2022 The French Philosopher Michel Foucault argues that power extends to all areas at the micro level in Bentham's Panopticon theory, which was inspired by the architectural design of the Panopticon.
Azime Cantaş, Aytekin Can
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Constructing and Deconstructing the Modern Hero in The Dark Knight Trilogy
SAGE Open, 2022 This article aims to reveal the various representations of modernity and postmodernity in Christopher Nolan’s Batman Begins (2005), The Dark Knight (2008) and The Dark Knight Rises (2012).
Göral Erinç Yılmaz, Serkan Fundalar
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universo temporal de Christopher Nolan
Actio Nova, 2020 El propósito de este artículo es realizar una reflexión acerca de la filmografía del director británico Christopher Nolan, poniendo especial interés en los conceptos de tiempo, identidad y fragmentación.
Maria Teresa Calvo Martinez
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Sakarya İletişim, 2022 Sinemanın söylem üretme ve bu söylemleri küresel bir kültüre dönüştürme kabiliyeti olduğu malumdur. Bilhassa popüler kültür unsuru haline gelen çeşitli figürler kullanılarak tesis edilen sinema filmleri, söylemlerini daha etkin bir şekilde iletme imkânı ...
Enes Şahin
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The Dark Knight’s Dystopian Vision: Batman, Risk, and American National Identity
European Journal of American Studies, 2015 This essay argues that Frank Miller’s Batman: The Dark Knight Returns (1986) and Batman: The Dark Knight Strikes Again (2001-02) are grounded in a specific type of anticipatory consciousness that we read as risk consciousness.
Jeanne Cortiel, Laura Oehme
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ANALYSIS OF BRUCE WAYNE’S POLITENESS STRATEGIES IN THE MOVIE “BATMAN BEGINS” [PDF]
, 2018 Muhammad Taufik Wibowo
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Héroe claro y héroe oscuro en el relato cinematográfico
Área Abierta, 2016 El rol del héroe es cambiante y poco uniforme, pero su función es constante. La línea que separa el bien del mal con frecuencia es muy fina, tanto que a veces el propio héroe puede actuar de forma negativa y ofrecer dudas acerca de su propia naturaleza ...
Francisco José Gil Ruiz +1 more
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