Results 51 to 60 of about 11,610 (218)
Baudelaire a développé une esthétique des correspondances dans laquelle l’analogie joue un rôle majeur. Pourtant, si l’on se base sur les ontologies ou régimes d’identification par lesquels, selon P.
Suter, Patrick
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Abstract Some scholars suggest a puzzle presents itself in Ludwig Wittgenstein's final words in the mismatch between what Norman Malcolm describes as a ‘fiercely unhappy’ life and Wittgenstein's expression of that life as ‘wonderful’. Ronald L. Hall attempts to overcome the apparent puzzle by retranslating Wittgenstein's final words into an expression ...
Ryan Manhire
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CHARLES BAUDELAIRE AS ART CRITIC: A JOURNEY THROUGH ITALIAN VOICES
reservedCharles Baudelaire è stato uno tra i più importanti poeti dell’Ottocento francese ed europeo, ma ha mostrato ottime qualità anche come critico d’arte, raggiungendo una certa notorietà.
ULIANA, GIORGIA
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Tracing the Flâneur: The Intertextual Origins of an Emblematic Figure of Modernity
This article presents an intertextual analysis of the origins of the flâneur, tracing his literary evolution from early nineteenth-century attestations to Baudelaire’s Le Peintre de la vie moderne (1863).
Castigliano Federico
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La beauté du bizarre dans les portraits sculptés de Baudelaire. Chronologie commentée (1867-1940)
Les portraits sculptés de Baudelaire, étant tous postérieurs à sa mort en 1867, n’ont pas été étudiés dans leur ensemble. Cependant neuf artistes entre 1880 et 1940 affrontent le mythe. Alfred Ross, auteur d’un buste en plâtre du poète ; Zacharie Astruc,
Anne Pingeot
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Paris as Real and Fantastic Space in Depiction of E. T. A. Hoffmann and Ch. Baudelaire
The article discusses the depiction of Paris in E. T. A. Hoffmann’s novella “Das Frӓulein von Scuderi,” 1818 and in Ch. Baudelaire’s series “Tableaux parisiens,” 1861. It is noted that their authors are united by belief in fantasy as a means of knowledge.
N. M. Ilchenko, J. A. Marinina
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Speaking Truth to Power: Understanding the Role of Political Theater in Russia
The Russian Review, Volume 85, Issue 2, Page 149-156, April 2026.
Katherine A. New
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“Entre centre et absence”. Berg, Debussy, Dutilleux, Vermeulen: Baudelaire
Baudelaire found in Richard Wagner “mon semblable, mon frère”. Attending the opening of Tannhäuser in Paris, he perceived a structural concept of music analogous to his formalist poetics. Several composers, from Duparc to Dutilleux, wrote music for Les
nicola ferrari
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O presente artigo buscou apresentar sucintamente algumas reflexões em torno das transformações modernas do regime de visualidade e, a partir daí, da formação do espectador moderno, tal como essas questões se colocam de forma significativa na poesia de ...
Luis Inacio Oliveira Costa
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The Authority of Constituent Power
This article delves into a specific facet of the widely acknowledged ‘paradox of constitutionalism’. Specifically, it focuses on the tension between the disruptive aspect of constituent power and its alleged authority. Paying special attention to the Chilean social outbreak and the constitutional process that followed, the article draws inspiration ...
Federico Szczaranski
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