Results 31 to 40 of about 20,735 (209)
Object-Oriented Baudrillard? Withdrawal and Symbolic Exchange
Open Philosophy, 2019 By comparing Object-Oriented Ontology (OOO) and Baudrillard through the lens of a study of the notion of withdrawal in Heidegger’s tool analysis and “The Question Concerning Technology”, this article explores the extent to which an Object-Oriented ...
King Matthew James
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Yeni Çağda Baudrillard Bağlamında Haberi Tanımlama Denemesi: Post-Haber
Türkiye İletişim Araştırmaları Dergisi, 2023 Haber kavramı üzerinde uzlaşı sağlanması zor alanlardan biri olarak görülmektedir. Liberal görüşe göre haber, dördüncü kuvvet olarak yer alırken aynı zamanda demokrasinin açık bıraktığı iki seçim arasını doldurmak için önemli bir konumda yer almaktadır ...
Burak Toraman
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Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight
CINEJ Cinema Journal, 2021 Shakespeare’s tragedies and Quentin Tarantino’s aesthetically violent films bear striking similarities in the problematization of both villainy and reality. Such concerns reverberate the most in Othello (1604) and The Hateful Eight (2015).
Pouria Torkamaneh +2 more
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Point of View of Jean Baudrillard on the Philosophy of Cinema Survival [PDF]
Journal of Philosophical Investigations, 2022 Jean Baudrillard the postmodern social theorist adopted a philosophical approach for explanation of the contemporary world. Baudrillard refers to the current state of affairs in the world as “Hyperreality” and believes that today the simulacra are more ...
Mahdi Attarzadeh +2 more
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Consumerism on Clubhouse Exclusivity from Jean Baudrillard’s Perspective
Warta ISKI, 2021 Clubhouse became increasingly popular since the beginning of 2021, especially in Indonesia. After being popularized by public figures who opened live discussions and chats through this audio-based platform, Clubhouse rose in popularity.
F. Musdalifah
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Skad, 2019 Baudrillard, simülasyon kuramıyla postmodern çağı tarif etmekte ve bu çağa özgü yeni bir ontoloji ortaya koymaktadır. Bu ontolojinin gerçekleştiği zemin olarak da kitle iletişim araçlarının dünyasını işaret etmektedir.
Hüseyin Aydın
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The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality
Text Matters, 2018 Hyperreality is a key term in Jean Baudrillard’s cultural theory, designating a phase in the development of image where it “masks the absence of a profound reality.” The ambiance of Joseph Heller’s Catch-22 (1961) closely corresponds to Baudrillard’s ...
Abdolali Yazdizadeh
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Dos lecturas paradigmáticas de Jean Baudrillard
Valenciana, 2022 Como la de cualquier teórico con una propuesta singular y compleja, la obra de Jean Baudrillard (1929-2007) ha sido fuente de di-versas lecturas y aplicaciones, sobre todo considerando el carácter amplio de las disciplinas implicadas en sus ...
Luis Alberto López Soto
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L’abstracció dels diners, emancipació o alienació?
Digithum, 2018 Aquest article vol donar compte del procés d’abstracció que han patit els diners des del començament de la modernitat. Apel·lant tant a desenvolupaments teòrics (com el de Georg Simmel) com a pràctiques socials i fins i tot aspectes tècnics, un dels ...
Hernan Gabriel Borisonik
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PAST EFFACED. PAST RECOVERED. DREAMS AND MEMORY CONTROL IN RECENT DYSTOPIAN CINEMA [PDF]
University of Bucharest Review. Literary and Cultural Studies Series, 2022 Utopia is considered to be a perfect state, a place where all desires and longings can be finally fulfilled. Dystopia is frequently described as a failed utopia, a place which becomes an expression of our deepest fears and concerns.
Katarzyna Baran
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