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Iranian Students at the École des Beaux-Arts [PDF]
École des Beaux-Arts is considered as one of the most influential architecture schools in the world. During its relatively long life, this school admitted many students from different countries, including a number of Iranian architects and professors of ...
Yahya Sepehri
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TÜRKİYE’DEN BEAUX – ARTS’DA EĞİTİM GÖREN YEDİ MİMAR VE BELLİ BAŞLI ESERLERİNİN İNCELENMESİ
İlk 1648’de Kardinal Mazarın tarafından Fransa Paris’te kurulmuş olan Êcole Des Beaux-Arts sanat okulu mimar, ressam ve heykeltraş kısaca sanatçı yetiştirmeyi hedeflemiş ve bunu ön planda tutan çok önemli bir kurum olarak kabul edilmiştir. Fransa’daki bu
Duygu İlkhan Söylemez
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Caractère Types and the Beaux - Arts Tradition: Interpreting Academic Typologies of Form and Decorum [PDF]
The articulation of caractère types, or variations and qualities of architectural caractère, in Beaux-Arts interiors and how they transposed when translated in another culture are infrequently explored in design historical scholarship.
Diane Viegut Al Shihabi
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In Algeria, where the dispersed nature of sources from the colonial period is compounded by the difficulties of accessing archives and areas of research in the post-independence period, architects’ archives are an essential resource.
Mourad Bouzar
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Et la figure va en s’amenuisant
Un des enjeux de la sémiotique des arts plastiques nous semble être, aujourd’hui, de forger des outils lui permettant de se distinguer, dans sa pratique, des approches de l’histoire de l’art, tout en s’en nourrissant et en l’éclairant en retour.
Lucien Massaert
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The art of makeup as an aesthetic value in the cinematic film [PDF]
It is known that visual art is the art that is capable of making the spectator turns from state to another. Cinema is considered one of the most powerful and effective visual arts, and it has the ability to influence and persuade.In the beginning, in the
Qureshi Saadi Ahmed saeid
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Stanisław Gąsienica Sobczak (1884–1942), „odgrzebywacz i promotor oryginalnej ceramiki polskiej”
Abstrakt: Stanisław Gąsienica Sobczak (1884–1942), artysta rzeźbiarz wykształcony na Akademii Sztuk Pięknych w Krakowie i w École Nationale des Beaux Arts w Paryżu, pochodził z góralskiej rodziny z Zakopanego.
Bożena Kostuch
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Ingenieros, entre arquitectos y empresarios
La incidencia de la tradición francesa en la formación de los arquitectos en la Argentina de finales del siglo XIX y principios del XX es estudiada mayormente desde la perspectiva del sistema Beaux-Arts y desde los sucesivos intentos por separarse de la
Juan Pablo Pekarek
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The Color and its impact on theatrical aesthetics [PDF]
ne. Many directors in the field of cinema have benefited from these meanings and psychological connotations of color in their works, as the psychological impact of color appears in the theatrical scene.Through research, some artworks are monitored and ...
Qureshi Saadi Ahmed saeid
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Producción teórica y difusión de modelos. De la École Polytechnique a la École des Beaux-Arts (1802-1967)ResumenLa pedagogía aplicada en la École des Beaux-Arts, es revisada bajo el prisma de las publicaciones realizadas por los profesores dedicados en ...
Amandine Diener
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