Results 31 to 40 of about 503 (160)

Comuna de Paris, Bertolt Brecht

open access: yesRevista Espaço Acadêmico, 2017
De “Os dias da Comuna”, de Bertolt Brecht, tradução de Fernando Peixoto.
REA Editor
doaj  

Anti‐Blackness, Canonicity, and (Mis‐)Identification in Emine Sevgi Özdamar's Ein von Schatten begrenzter Raum

open access: yesThe German Quarterly, Volume 98, Issue 2, Page 91-108, Spring 2025.
Abstract This essay explores the disturbing presence of anti‐Black language and tropes in Emine Sevgi Özdamar's recent, celebrated novel Ein von Schatten begrenzter Raum. Drawing on Toni Morrison's classic analysis in Playing in the Dark, I argue Özdamar's anti‐Blackness is characterized by a double‐valence: on one hand, Özdamar's anti‐Blackness ...
Barbara N. Nagel
wiley   +1 more source

The Razian Response to Philosophical Anarchism: A Probe into the Authority‐Autonomy Tension

open access: yesRatio Juris, Volume 37, Issue 4, Page 274-292, December 2024.
Abstract This paper juxtaposes two conflicting positions on the justifiability of authority: Robert Wolff's philosophical anarchist argument and a response to Wolff consisting in Joseph Raz's service conception of authority. Following an introduction, I provide a brief exposition of Wolff's claim that authority is incompatible with moral autonomy ...
Noam Gur
wiley   +1 more source

Bertolt Brecht (1898–1956).Vida e Obra.

open access: yesMillenium, 2016
Alemão, dramaturgo, poeta, Bertolt Brecht escreveu também contos. Estudou medicina. As suas primeiras tendências literárias foram para um romantismo muito carregado de tintas anarquistas. Primeira peça de teatro – “Baal”. Em 1918.
Vasco Soares de Oliveira Cunha
doaj  

Invisibilities in Art and Theology

open access: yes
Religious Studies Review, Volume 52, Issue 1, Page 20-26, March 2026.
Daniel A. Siedell
wiley   +1 more source

Anatomia da desumanização

open access: yesSinais de Cena, 2005
Crítica ao espectáculo Um Homem é um Homem, de Bertolt Brecht, com encenação de Luís Miguel Cintra, Teatro da Cornucópia, 2005.
Maria Helena Serôdio
doaj  

Eine Provokation und ihre Folgen. Zum “deutschen Trauerspiel” «Die Plebejer proben den Aufstand» von Günter Grass
[A Provocation and its Consequences. On the “German Tragic Drama” «The Plebeians Rehearse the Uprising» by Günter Grass]

open access: yesStudia theodisca, 2017
Die Plebejer proben den Aufstand. Ein deutsches Trauerspiel (1966) by Günter Grass aroused great scandal, because the play denounces the tactics of Bertolt Brecht with regard to the workers’ uprising in East Germany on June 17, 1953.
Karoline Sprenger
doaj   +1 more source

Autour de Brecht et Buenaventura

open access: yesRevista Ciencias y Humanidades, 2015
Ce travail présente les principales convergences existant entre le théâtre de Bertolt Brecht et celui d'Enrique Buenaventura. Nous abordons premièrement le Théâtre épique, puis la Méthode de Création collective, ce qui nous permet de mieux comprendre la
Cristian Bedoya
doaj   +1 more source

Drudgery, Terminable and Interminable1

open access: yes
Religious Studies Review, Volume 51, Issue 3, Page 660-668, September 2025.
William Arnal
wiley   +1 more source

Objectivity and the Historian: Beyond the Fried Egg Test

open access: yes
Critical Quarterly, Volume 67, Issue 2, Page 63-73, July 2025.
David Stack
wiley   +1 more source

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