Results 31 to 40 of about 4,985 (159)

A “distância” ao nosso alcance

open access: yesSinais de Cena, 2005
Recensão às obras Teatro 1 - Baal; Tambores na noite; A boda; O mendigo ou O cão morto; Expulsando um demónio; Lux in tenebris; A pesca; Na selva das cidades -, de Bertolt Brecht (Lisboa, Edições Cotovia, 2003) e Teatro 2 - A vida de Eduardo II de ...
José Miranda Justo
doaj  

Bertolt Brecht’s Radical Contribution to Pacifist Children’s Lyrics in Interwar Germany: “Die drei Soldaten” (The Three Soldiers) and “Kinderkreuzzug 1939” (Children’s Crusade 1939)

open access: yesBarnboken: Tidskrift för Barnlitteraturforskning, 2019
This paper focuses on German poetry for children published during the interwar period and written by left-wing authors such as Bertolt Brecht, Ernst Friedrich, and Edwin Hoernle.
Bettina Kümmerling Meibauer   +1 more
doaj   +1 more source

Median line: A century of border violence and the alluvial geopolitics of the Evros/Meriç/Maritsa River border

open access: yesArea, Volume 57, Issue 2, June 2025.
Short Abstract The border river of the Evros/Meriç/Maritsa has been shaped during the century since its demarcation by the Lausanne peace treaty. Over this period, a dense overlap of environmental, geopolitical, legal and cultural actors have turned it into both a riverised border and a borderised river.
Ifor Duncan, Stefanos Levidis
wiley   +1 more source

Comuna de Paris, Bertolt Brecht

open access: yesRevista Espaço Acadêmico, 2017
De “Os dias da Comuna”, de Bertolt Brecht, tradução de Fernando Peixoto.
REA Editor
doaj  

Anti‐Blackness, Canonicity, and (Mis‐)Identification in Emine Sevgi Özdamar's Ein von Schatten begrenzter Raum

open access: yesThe German Quarterly, Volume 98, Issue 2, Page 91-108, Spring 2025.
Abstract This essay explores the disturbing presence of anti‐Black language and tropes in Emine Sevgi Özdamar's recent, celebrated novel Ein von Schatten begrenzter Raum. Drawing on Toni Morrison's classic analysis in Playing in the Dark, I argue Özdamar's anti‐Blackness is characterized by a double‐valence: on one hand, Özdamar's anti‐Blackness ...
Barbara N. Nagel
wiley   +1 more source

Bertolt Brecht, 1898–1956

open access: yes, 2023
Der große Theater-Reformer des 20. Jahrhunderts Bertolt Brecht ist bekannt für seine schonungslose "Verwertung", Plünderung, kühne Umarbeitung fremder Texte.
Neureuter, Hans Peter
core   +1 more source

The Razian Response to Philosophical Anarchism: A Probe into the Authority‐Autonomy Tension

open access: yesRatio Juris, Volume 37, Issue 4, Page 274-292, December 2024.
Abstract This paper juxtaposes two conflicting positions on the justifiability of authority: Robert Wolff's philosophical anarchist argument and a response to Wolff consisting in Joseph Raz's service conception of authority. Following an introduction, I provide a brief exposition of Wolff's claim that authority is incompatible with moral autonomy ...
Noam Gur
wiley   +1 more source

Brecht on Theatre

open access: yes, 2015
Brecht on Theatre is a seminal work that has remained the classic text for readers and students wanting a rich appreciation of the development of Brecht’s thinking on theatre and aesthetics. First published in 1964 and on reading lists ever since, it has
Bertolt Brecht
core   +1 more source

Hans Eisler: Companheiro musical de Brecht

open access: yesPandaemonium Germanicum: Revista de Estudos Germanísticos, 2000
Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in
Willy Corrêa de Oliveira
doaj  

THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN

open access: yesGerman Life and Letters, Volume 77, Issue 4, Page 514-537, October 2024.
ABSTRACT Gerhard Gundermann was an East German open cast miner and ‘Liedermacher’ who died prematurely in 1998 at the age of forty‐three. Although he is known for his controversial involvement with the Stasi in his early career, very little has been written about his art, including the ‘Liedertheater’ work he performed with Brigade Feuerstein in the ...
David Robb
wiley   +1 more source

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