Results 41 to 50 of about 830 (180)
L’objectif de cet article est d’interroger la nature métisse de Timira, une œuvre moitié récit (auto)biographique et historiographique, moitié récit « romanesque ».
Stephanie Neu
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Cognitive Theories of Galant Music at the Margins of Experience
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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Intellectuels et communisme, un terrain à revisiter par la biographie ?
Trois événements, une conférence-débat et deux expositions ont remis en lumière deux figures d’« intellectuels communistes » de premier plan des années 1960-1980, Antoine Vitez et René Andrieu. Ils suggèrent de chercher les acteurs individuels derrière l’
Annie Burger-Roussenac
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Views from the East: Changing Attitudes to Venice in Late Byzantium
Abstract This paper explores the changing attitudes towards Venice in late Byzantine texts. It argues that, along with the strengthening of political and cultural ties between Byzantium and Venice, the Byzantines' perspectives evolved from rejection to admiration. As scholars like Demetrios Kydones and Manuel Chrysoloras began to teach Greek in Venice,
Florin Leonte
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Locating Traces of Arboreal Beings: Connecting the Tree and the Woodblock
ABSTRACT Woodblocks for printmaking are multi‐perspectival communicators inscribed with layered narratives. The artistic process of cutting excavates the surface of a woodblock, making visible lesser‐seen traces of the past, reflective of the practice of archaeology.
Julian Laffan
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Qui e Altrove ? Per una tipologia di migranti fra sociologia e biografia
L’articolo tratta della migrazione come esperienza soggettiva. In una prospettiva che riecheggia la concettualizzazione di P. Jedlowski, l’intento è di analizzare come l’evento migratorio venga esperito e rielaborato dal soggetto migrante, e come l ...
Sonia Floriani
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FROM TRASH TO TREASURE: RILKE AND VENICE REVISITED
ABSTRACT Rilke loved Venice and visited or passed through a dozen times between 1897 and 1920. He wrote extensively about the city in prose and verse between 1898 and 1908, including a cycle of poems in the Neue Gedichte and a polemical ‘Aufzeichnung’ in Malte Laurids Brigge.
Robert Vilain
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L’archétype du « costumato e virtuoso artefice » dans les Vies de Giorgio Vasari
Lorsque Giorgio Vasari rédige ses Vies, il ne fait pas seulement œuvre de biographe ou d’historien de l’art. Soucieux de contribuer activement au changement de statut social de l’artiste, il se pose souvent en moraliste, louant les qualités ou ...
Michelle Bianchini
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DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)
ABSTRACT This essay examines Rainer Maria Rilke's reception of the sculptor and poet Michelangelo in the context of interest in the Renaissance around 1900, focusing first on the Stundenbuch, the Florenzer Tagebuch and the story ʻVon einem, der die Steine belauschtʼ (from the prose collection: Geschichten vom lieben Gott).
Astrid Dröse, Jörg Robert
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