Results 41 to 50 of about 830 (180)

Le « roman métisse » Timira (2013) de Antar Mohamed et Wu Ming 2 : le colonialisme en Italie raconté dans une synthèse entre récit fictionnel et factuel

open access: yesCahiers de Narratologie, 2014
L’objectif de cet article est d’interroger la nature métisse de Timira, une œuvre moitié récit (auto)biographique et historiographique, moitié récit « romanesque ».
Stephanie Neu
doaj   +1 more source

Cognitive Theories of Galant Music at the Margins of Experience

open access: yesMusic Analysis, Volume 44, Issue 3, Page 293-339, October 2025.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

Intellectuels et communisme, un terrain à revisiter par la biographie ?

open access: yesCahiers d’histoire, 2011
Trois événements, une conférence-débat et deux expositions ont remis en lumière deux figures d’« intellectuels communistes » de premier plan des années 1960-1980, Antoine Vitez et René Andrieu. Ils suggèrent de chercher les acteurs individuels derrière l’
Annie Burger-Roussenac
doaj   +1 more source

Views from the East: Changing Attitudes to Venice in Late Byzantium

open access: yesRenaissance Studies, Volume 39, Issue 4, Page 550-570, September 2025.
Abstract This paper explores the changing attitudes towards Venice in late Byzantine texts. It argues that, along with the strengthening of political and cultural ties between Byzantium and Venice, the Byzantines' perspectives evolved from rejection to admiration. As scholars like Demetrios Kydones and Manuel Chrysoloras began to teach Greek in Venice,
Florin Leonte
wiley   +1 more source

Locating Traces of Arboreal Beings: Connecting the Tree and the Woodblock

open access: yesArchaeology in Oceania, Volume 60, Issue 2, Page 145-155, July 2025.
ABSTRACT Woodblocks for printmaking are multi‐perspectival communicators inscribed with layered narratives. The artistic process of cutting excavates the surface of a woodblock, making visible lesser‐seen traces of the past, reflective of the practice of archaeology.
Julian Laffan
wiley   +1 more source

Qui e Altrove ? Per una tipologia di migranti fra sociologia e biografia

open access: yesItalies, 2010
L’articolo tratta della migrazione come esperienza soggettiva. In una prospettiva che riecheggia la concettualizzazione di P. Jedlowski, l’intento è di analizzare come l’evento migratorio venga esperito e rielaborato dal soggetto migrante, e come l ...
Sonia Floriani
doaj   +1 more source

FROM TRASH TO TREASURE: RILKE AND VENICE REVISITED

open access: yesGerman Life and Letters, Volume 78, Issue 2, Page 127-193, April 2025.
ABSTRACT Rilke loved Venice and visited or passed through a dozen times between 1897 and 1920. He wrote extensively about the city in prose and verse between 1898 and 1908, including a cycle of poems in the Neue Gedichte and a polemical ‘Aufzeichnung’ in Malte Laurids Brigge.
Robert Vilain
wiley   +1 more source

L’archétype du « costumato e virtuoso artefice » dans les Vies de Giorgio Vasari

open access: yesItalies, 2007
Lorsque Giorgio Vasari rédige ses Vies, il ne fait pas seulement œuvre de biographe ou d’historien de l’art. Soucieux de contribuer activement au changement de statut social de l’artiste, il se pose souvent en moraliste, louant les qualités ou ...
Michelle Bianchini
doaj   +1 more source

DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)

open access: yesGerman Life and Letters, Volume 78, Issue 2, Page 194-216, April 2025.
ABSTRACT This essay examines Rainer Maria Rilke's reception of the sculptor and poet Michelangelo in the context of interest in the Renaissance around 1900, focusing first on the Stundenbuch, the Florenzer Tagebuch and the story ʻVon einem, der die Steine belauschtʼ (from the prose collection: Geschichten vom lieben Gott).
Astrid Dröse, Jörg Robert
wiley   +1 more source

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