Results 1 to 10 of about 186,166 (192)

Chronic kidney disease prevalence and outcomes in patients with type 2 diabetes or prediabetes at high cardiovascular risk: results from the CINEMA program [PDF]

open access: yesAmerican Journal of Preventive Cardiology
Background: Chronic kidney disease (CKD) is a global health concern, particularly among patients with type 2 diabetes mellitus (T2DM) and prediabetes who are at high risk of cardiovascular disease (CVD).
Sanjana Datla   +14 more
doaj   +2 more sources

El cine negro español: del spanish noir al policiaco actual [Reseña]

open access: yesRevista Mediterránea de Comunicación, 2021
The Spanish black cinema: from the Spanish noir to the present police one. It proposes a trip from the background of the Spanish black cinema - 1940s - to the present.
Daniel Maldonado-Casas
doaj   +3 more sources

The Rats Woke Up – On Figures of Dissent in Belgrade’s Underbelly in Pavlović’s Vision

open access: yes[sic], 2021
The characters of Živojin Pavlović’s seminal film The Rats Woke Up (Buđenje Pacova, 1967), regularly discussed in the context of the Yugoslav Black Wave cinema, offer significant and very intriguing figures of dissent.
Nikica Gilić
doaj   +1 more source

relational community, dialogic knowledge construction, collaborative narratives, cardography, doctoral thesis.

open access: yesRevista Brasileira de Educação do Campo, 2021
The article demonstrates the centrality of the academic concern, in the discipline Ethnic-Racial Relations, which is given by an observation of the different Brazilian filmographies. A Chanchada was the paroxysm of the stereotype of racial inferiority of
Celso Luiz Prudente   +2 more
doaj   +1 more source

Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil

open access: yesJournal of Science and Technology of the Arts, 2020
In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from ...
Michelle Sales, Bruno Muniz
doaj   +1 more source

Reading Representations of Black Women in the Films Hidden Figures, Harriet, and The Best of Enemies, through the Views of Bell Hooks and Stuart Hall

open access: yesConnectist Istanbul University Journal of Communication Sciences, 2021
Starting with D.W. Griffith’s film The Birth of a Nation (1915), black women representations in Hollywood films have been confined to the stereotypes of slavery and that of the Civil War period.
Gül Yaşartürk
doaj   +1 more source

“BLACK MOVIES”: GENRE MEMORY OF THE NOIR FILM LANGUAGE IN THE SYSTEM OF AUDIOVISUAL TRANSFORMATIONS (1970s – 2010s)

open access: yesВісник Харківського національного університету імені В.Н. Каразіна. Серия: Теорія культури та філософіі науки, 2021
The issue of “genre memory” in the noir film language is one of the most relevant problems in the modern study of “black” cinema evolution. In spite of the fact that in the recent years, noir has significantly expanded its traditional artistic “cover ...
Nataliia Markhaichuk   +2 more
doaj   +1 more source

In search of Godard’s ‘Sauve la vie (qui peut)’

open access: yesNECSUS, 2015
This article examines a little-known compilation film titled Sauve la vie (qui peut) that Jean-Luc Godard created in 1981 within the framework of a series of lectures on cinema history that he delivered in Rotterdam in 1980-1981. To make this compilation
Michael Witt
doaj   +1 more source

Black Lives Matter on Screen: Trauma of Witnessing Police Brutality in Contemporary American Cinema

open access: yesNew Horizons in English Studies, 2021
In the years following the emergence of the Black Lives Matter movement, American cinema was looking for a way to appropriately address the issue of police brutality against people of color.
Małgorzata Mączko
doaj   +1 more source

Everybody’s Protest Cinema: Baldwin, Racial Melancholy, and the Black Middle Ground

open access: yesJames Baldwin Review, 2021
This article uses Baldwin’s 1949 essay “Everybody’s Protest Novel” to consider that literary mode’s corollary in the 1990s New Black Cinema. It argues that recent African American movies posit an alternative to the politics and aesthetics of films by a ...
Peter Lurie
doaj   +1 more source

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