Results 11 to 20 of about 186,166 (192)

'It's a film' : medium specificity as textual gesture in Red road and The unloved [PDF]

, 2012
British cinema has long been intertwined with television. The buzzwords of the transition to digital media, 'convergence' and 'multi-platform delivery', have particular histories in the British context which can be grasped only through an ...
Alvarado Manuel, Auty Martyn, Ball Vicky, Barr Charles, Bolter Jay David, Brandt George W., Brandt George W., Brunsdon Charlotte, Brunsdon Charlotte, Caughie John, Charlotte Brunsdon, Chibnall Steve, Cook Pam, Cooke Lez, Fiske John, Galt Rosalind, Geraghty Christine, Geraghty Christine, Geraghty Christine, Higson Andrew, Higson Andrew, Hill John, Hill John, Hjort Mette, Keathley Christian, Krauss Rosalind, Kuhn Annette, Leggott James, Malik Sarita, Manovich Lev, McGill Hannah, McIlroy Brian, McLoone Martin, Miller Toby, Morley David, Mulvey Laura, Mulvey Laura, Murphy Robert, O'Sullivan Sean, Petley Julian, Petrie Duncan, Petrie Duncan, Pettitt Lance, Rolinson Dave, Rolinson Dave, Russell Dave, Sargeant Amy, Sontag Susan, Street Sarah, Willemen Paul, Williams Christopher   +50 more
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Introduction : screen Londons [PDF]

, 2009
Our aim, in editing the ‘London Issue’ of this journal, is to contribute to a conversation between scholars of British cinema and television, London historians and scholars of the cinematic city.
Barefoot G., Billig M., Billingham P., Bruno G., Charlotte Brunsdon, Charney L., Clarke D., Cunningham G., Dave P., Hallam J, Hansen M., Harvey D., Huyssen A., Jousse T., Klein N., Konstantarakos M., Krause L., Leonard M., Martin-Jones D., Mazierska E., Mellor D., Mort F., Murphy R., Nead L., Orr J., Petit C., Sandbrook D., Sandhu S., Shiel M., Stewart J., Warshow R., Webber A.   +31 more
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The Creative Labor of 2D-to-3D Conversion as a Reformatting Practice

Media Industries, 2022
In cinema and media studies, research on stereoscopic cinema has largely focused on aesthetic and phenomenological questions that position 3D as a distinct medium.
Todd Kushigemachi
doaj   +2 more sources

O negro na dramaturgia, um caso exemplar da decadência do mito da democracia racial brasileira The black in dramaturgy, a perfect case of the decadence of the myth of the brazilian racial democracy

Revista Estudos Feministas, 2008
O mito da democracia racial brasileira, apesar de intensamente criticado por amplos setores da população negra, persiste até hoje na indústria do cinema e da telenovela.
Joel Zito Araújo
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Cinema programs as a source for research on historical film audiences. Berlin 1945–1949 [PDF]

, 2015
In my paper, I analyse programs from cinemas in all four sectors of occupied Berlin from 1945 to 1949. I focus primarily on ads. Looking at cinema programs allows me to conduct research on local audiences by taking into consideration the social ...
Saryusz-Wolska, Magdalena
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Joel Zito Araújo’s women: subversion or reproduction of stereotypes?

Travessias, 2021
The cinematographic narrative it is characterized, among other aspects, for the intertwining among different languages, such as music, sound elements, verbal and non-verbal texts, what makes, in turn, the filmic plot endowed with its own language ...
Risoleta Viana de Freitas
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The Discovery of the “Third World”: The Programming Policies of the Italian Antifestivals (1960-1976)

Cinergie, 2022
This paper explores the micro-histories, organization developments and programming policies of the Italian antifestivals between 1960 and 1976. It analyses how and why the antifestivals were created as a deliberate rupture with the conventional festival ...
Andrea Gelardi
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"I make films to be seen": the narrative issue of Flora Gomes [PDF]

, 2019
The feature films by Flora Gomes: Mortu nega (1988), Udju azul di Yonta (1992), Po di sangui (1996), Nha fala (2002) and Republica di mininus (2012) narrate stories that speak of transits, music, woman, children, war, (neo) colonialism, cosmogony, life ...
Oliveira, Jusciele
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Le droit à l’image : le Cinéma Novo brésilien et l’apparaître

Appareil, 2017
This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally called "new wave cinema" taking place all around the world in the late 1950s.
Gustavo Chataignier
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Interferenza omotopica e locational imaging noir. Una riflessione geocritica sugli spazi disturbanti nel cinema a partire da Black Dahlia

Ocula, 2019
This paper aims at offering a geocritical exploration of cinema starting from The Black Dahlia (Brian De Palma, 2006) and retracing the tradition of the noir film genre, taking into consideration the peculiar relations between this genre and "real ...
Giorgio Avezzù
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