Results 21 to 30 of about 186,166 (192)
Come to Daddy? Claiming Chris Cunningham for British Art Cinema [PDF]
, 2016 Twenty years after he came to prominence via a series of provocative, ground-breaking music videos, Chris Cunningham remains a troubling, elusive figure within British visual culture.
Adams R. +23 more
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Open Cultural Studies, 2018 The story of Black women in British mainstream cinema is certainly one of invisibility and misrepresentations, and Black women filmmakers have historically been placed at the margins of British film history.
Herbert Emilie
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The Importance of a House and the Pandemic Formation of the ATLFilmParty Community
Alphaville: Journal of Film and Screen MediaThis article discusses the short films of the Atlanta-based black American filmmaker Olamma Oparah. Oparah’s film The Importance of a House was the winner of the inaugural ATLFilmParty (AFP) free film competition and industry networking event created by ...
Jenny Gunn
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"Lose Yourself": Narrative Instability and Unstable Identities in Black Swan
Current Objectives of Postgraduate American Studies, 2013 This article discusses narrative instability as a significant dynamic in recent American cinema and focuses on an investigation of the film Black Swan“ as such a narratively unstable text. After an introduction to narrative instability and its connection
Stefan Schubert
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Teach phenomenology the bomb: Starship Troopers, the technologized body, and humanitarian warfare [PDF]
, 2005 Paul Verhoeven's SF films are often concerned with how the future body will be reshaped as a technological device. Starship Troopers strangely departs from Verhoeven's own work, other SF films, and current directions in cultural theory by seeing the ...
Clements Jonathan +3 more
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Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994)
CINEJ Cinema Journal, 2018 As a film-maker who likes to transgress ideas of what is commonly expected from a black female artist to be making, British-Nigerian director Ngozi Onwurah has shown a particular interest in the various expressions of violence throughout her filmography.
Emilie Herbert
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[Review of] Jane M. Gaines, Fire and Desire: Mixed-Race Movies in the Silent Era [PDF]
, 2002 Jane M.Gaines has written an important book on the topic of race movies and race relations in early American cinema. Using eclectic analyses that range from W.E.B.
Junne, George H., Jr
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Making films in a Brazilian slum with children: a participant observation research [PDF]
, 2019 This article stands for innovative learning opportunities to social inclusion by film education. The theoretical model is a combined structure coming from approaches and projects of social inclusion through film education.
Juliana, Mirna, Pacheco, Raquel
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Lua Nova: Revista de Cultura e Política, 2008 A busca deste texto será a de compreender como uma das mais importantes narrativas do cinema nacional - Deus e o Diabo na terra do sol, de Glauber Rocha (1963) - construiu o sertão, quais as imagens e as figuras utilizadas, ecomo esse sertão delineia e ...
Pedro Paulo Gomes Pereira
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Baadassss Gangstas: The Parallel Influences, Characteristics and Criticisms of the Blaxploitation Cinema and Gangsta Rap Movements [PDF]
, 2014 Serving as two of the most visible African American cultural movements, blaxploitation cinema and gangsta rap played essential roles in giving African American artists an outlet to establish a new black identity for mainstream audiences.
Engels, Dustin
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