Results 31 to 40 of about 186,166 (192)

My Beautiful Laundrette: Hybrid “Identity”, or the Paradox of Conflicting Identifications in “Third Space” Asian-British Cinema of the 1980s

Miscelánea: A Journal of English and American Studies, 2002
This essay will attempt to define Kureishi and Frears’ 1985 film as a mid-1980s British-Asian film that escapes the “burden of representation” that characterised earlier Black British cinema in two main ways.
Mónica Calvo Pascual
doaj   +1 more source

An aesthetic of violence present in Brazilian cinema and the erasure of black women in audiovisual productions

Revista Gearte, 2020
To think about Brazilian cinema history and black women as one, still sounds like a very distant thing, due to the erasure of these female film productor in our country's history.
Bárbara Cezano Rody, Larissa Patron Chaves   +1 more
doaj   +1 more source

Shakespeare in Chinese Cinema [PDF]

, 2013
Shakespeare’s plays were first adapted in the Chinese cinema in the era of silent motion pictures, such as A Woman Lawyer (from The Merchant of Venice, 1927), and A Spray of Plum Blossoms (from The Two Gentlemen of Verona, 1931).
Wu Hui
core   +2 more sources

Stylistic features of black cinema in America

الاكاديمي
          Branching out from the fictional film are many cinematic films that deliberately address topics in an aesthetic and expressive manner to convey the copyright content to the recipient.
Hashem Najaf najem, Salem Shadhan ghuben   +1 more
doaj   +1 more source

OS MITOS DO CINEMA: UMA ANÁLISE CONTRASTIVA DA LINGUAGUEM IMAGÉTICA CINEMATOGRÁFICA, À LUZ DA PSICOLOGIA ANALÍTICA DE JUNG, QUANTO AO ESTUDO DOS ARQUÉTIPOS

LexCult, 2019
The present text is the fruit of the study of kinetic language in modern times, in the light of the archetypal theory, one of the pillars of support of the analytical psychology of Carl Gustav Jung. The work is developed in 3 (three) divisions. The first
Albertina Maria Anastácio
doaj   +1 more source

Contemporary Documentary in Taiwan: Memory, Identity, Flux

Cinergie, 2018
In the following paper I will seek to illustrate how four documentaries made in recent years by young Taiwanese filmmakers, Le Moulin (2015), Wansei Painter - Tetsuomi Tateishi (2016), Letter #69 (2016) and 3 Islands (2015), display a fresh and original ...
Matteo Boscarol
doaj   +1 more source

The Black in Dramaturgy, a Perfect Case of the Decadence of the Myth of the Brazilian Racial Democracy

Revista Estudos Feministas, 2008
The myth of the Brazilian racial democracy still remains among the cinema and soap opera industry, even though it is greatly criticized by several sectors of the black population.
Joel Zito Araújo
doaj  

Neoliberalism and the Mutations of Social Realism in Contemporary European Cinema

Cinéma & Cie
Over the last couple of decades film scholars have begun building a critical vocabulary to theorize the new kinds of social relations depicted in the new European cinema of precarity, from “flexible solidarity” and “precarious intimacies” to “the gift ...
Temenuga Trifonova
doaj   +1 more source

Analiza gatunkowo-estetyczna „Pomostu” Chrisa Markera. Interpretacja filmu jako przykładu „kina możliwego”

Images, 2013
Genre and aesthetic analysis of The Jetty by Chris Marker. Interpretation of the film as a case of “possible cinema”   The paper discusses the French science fiction short film The Jetty (La Jetée) by Chris Marker.
Adam Domalewski
doaj   +1 more source

Teaching Queer Cinema With Independent Media [PDF]

, 2012
In lieu of an abstract, this is the article\u27s introductory paragraph: One of the most exciting dimensions of teaching film (and popular culture) is learning what students already know and then generating an informed and critical epistemology from the ...
White, Patricia
core   +1 more source