Results 41 to 50 of about 186,166 (192)
Zhang Yimou's 'Blood simple':cannibalism, remaking and translation in world cinema [PDF]
, 2014 Zhang Yimou’s A Woman, A Gun and A Noodle Shop (2009) remakes the Coen brothers’ Blood Simple (1984) in a way that re-imagines the earlier film in a Chinese setting, adapting and recreating the narrative, but the film cannot be regarded as being aimed ...
Evans, Jonathan
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Football(s)This article examines the representation of American football in cinema through the lenses of gender, race, and the American Dream. From The Freshman (1925) to The Blind Side (2009), sport serves as a crucible for masculinity and a pathway to social ...
Seán Crosson
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Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2018 Although Ngozi Onwurah is a leading figure of Black British cinema, she still remains largely in the margins of British Film Studies. Her work, which is often autobiographical and offers representations of childhood, questions the identity-building ...
Émilie Herbert
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Converging Horror: analyzing the importance of Convergence Culture on a digital audience through an examination of the conventions and politics of the horror genre [PDF]
, 2017 This thesis draws attention to the genre of horror in new media through a close examination of various digital texts, arguing that these new texts, while built on traditional horror narratives used in cinema, are also examples of Convergence Culture, a ...
Fox, Kelsey M
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3D UK? 3D History and the Absent British Pioneers [PDF]
, 2015 The recent television ‘rediscovery’ of a small cohort of 1950s British 3D films (and the producers who made them) has offered a new route into considering how the historical stories told about 3D film have focused almost exclusively on the American ...
Acland +28 more
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Cinema in the interstices: Editorial
Alphaville: Journal of Film and Screen Media, 2013 The interstice: something empty, something minute—a crevice, a chink, a narrow gap—yet, in spite of this definition of something apparently slight and inconsequential, one perhaps may make the claim that the interstice serves as a foundational element of
Abigail Keating +2 more
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Diasporic Film in Communities [PDF]
, 2013 The Diasporic Film in Communities project set out to critically examine the role of Diasporic film culture in Diasporic communities. A case study approach was used to explore how three postcolonial publics (African-Caribbean, Chinese and South Asian ...
Malik, S
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, 2017 I first saw Métis artist Terril Calder\u27s 2014 stop-frame feature, The Lodge, an independently made, relatively small- budget film, at its premiere at the ImagineNative Film + Media Arts festival, held annually in Toronto, Canada.
Monani, Salma
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, 2021 The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period.
Nwonka, Clive, Saha, Anamik
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Cinema, Tolstoy, and the Black Hundreds.
TECHNOLOGOS, 2023 The article analyzes the history of the distribution of the cinematographic chronicle of Leo Tolstoy's farewell in 1910 in various cities of the Russian Empire. Film censorship in late imperial Russia proceeded from the circulars of the Holy Synod and was guided by the considerations of local authorities. Many films which were censored in Moscow (where
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