Results 51 to 60 of about 186,166 (192)
Inquisitorial process in Arturo Ripstein’s film: “El Santo Oficio”
Ihering, 2020 Despite the great influence that the Black Legend of Spain has had on the cinema in the representation of the Holy Office in audiovisual content, it is possible to rescue some works with great historical rigor.
Erika Prado Rubio
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In God’s Land: Cinematic Affect, Animation and the Perceptual Dilemmas of Slow Violence
, 2016 In this paper, I argue that Indian independent filmmaker Pankaj Rishi Kumar\u27s documentary In God’s Land (2012) blends animation and live-action to illuminate the destructive nuances of postcolonial literary scholar, Rob Nixon\u27s notion of slow ...
Monani, Salma
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Symbolic capital and the production discourse of The American Music Show: a microhistory of Atlanta cable access [PDF]
, 2017 The American Music Show, an Atlanta cable public access television show that ran from 1981 to 2005, is not only a forgotten piece of production history but also a fertile case study.
Howell, Charlotte E.
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Sweet Sweetback’s Baadasssss Song de Melvin Van Peebles (1971) : exégèse d’un film militant
Revue LISA, 2009 Sweet Sweetback’s Baadasssss Song represented a turning point in filmmaking when it was released in 1971. This article focuses on the interplay of the political and the aesthetic in a film that was conceived as a means of furthering change in the ...
Delphine Letort
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OUTROS MODOS DE RELAÇÃO COM A IMAGEM PROJETADA: Do plano da tela para o espaço
Art&Sensorium: Revista Interdisciplinar Internacional de Artes Visuais, 2016 O ensaio é voltado à reflexão da migração do dispositivo cinema para os espaços da arte, com o objetivo de observar as modificações ocorridas nesse dispositivo, focando a relação entre projetor/ imagem projetada/ arquitetura do espaço expositivo/ corpo ...
Ellen Medeiros Nunes
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Remembering slavery on screen: Paul Robeson in The Song of Freedom (1936) [PDF]
, 2013 This article examines cinematic remembrances of the Atlantic slave trade through the lens of Paul Robeson-starring British film The Song of Freedom (1936). An exceptional visualization of the horrors of the Middle Passage in transatlantic interwar cinema,
Durkin, Hannah
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Marguerite Duras, Experimental Filmmaker Between Antinarration and Iconoclasm
Cinéma & Cie, 2020 The essay is focused on how Duras’ film writing is a visual expression of the central themes of her literature (love and desire) and how certain practices of aesthetic aniconism – and their theoretical reading – refer to the manifestation of emotional ...
Marta
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Revue LISA, 2014 In the early nineties, American film critic B. Ruby Rich welcomed the birth of what she called “new queer cinema” — a wave of independent gay, lesbian, and transgender films by and large well-received at film festivals.
Camille Bui
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Enacting Smoke, Lilies, and Jade as Black Gay Print Culture [PDF]
, 2013 This essay offers a comparative analysis of the ways that Isaac Julien\u27s Looking for Langston (1989) and Rodney Evans\u27s Brother to Brother (2005) inscribe Richard Bruce Nugent\u27s landmark short story Smoke, Lilies, and Jade (1926).
Christian, Shawn Anthony
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