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Black Skin, White Masks and the Paradoxical Politics of Black Historiography
Frantz Fanon’s Black Skin, White Masks has the paradoxical status of being a text that rejects historiography and History as a primary means of facilitating radical political transformation while also being a key point of departure for histories ...
Tacuma Peters
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White Skin, Black Masks: Blackface Minstrelsy
In this article, I explore Blackface Minstrels as a burlesque representation of African Americans. Black minstrelsy was an American nineteenth-century entertainment sensation that was subsequently exported to Europe and sustained there. While it would be
Therese Smith
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Poetics and Deconstruction in Frantz Fanon’s Black Skin White Masks (1952)
This article suggests a fresh analysis of Fanon’s Black Skin and White Masks (1952) to argue that the author identifies the fundamental force behind his critical approach by fusing poetics and deconstruction.
Said Gada
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Epidermalization of Inferiority: A Fanonian Reading of Marie Vieux-Chauvet’s Amour
As part of the commemoration of the 70th anniversary of Frantz Fanon’s Black Skin, White Masks, the following reflections are akin to his critical work on the psychoaffective impact of colonialism.
Keisha Simone Allan
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There is a breathlessness to Frantz Fanon’s Black Skin, White Masks. Fanon leaves us in no doubt that he is an author with a great deal to say about matters, among which racism, colonialism and the effect of both on the black body and psyche are his ...
Grant Farred
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The Lived Experience of Social Construction
A critical engagement with Black Skin, White Masks in the wake of social construction theory and controversies over critical race theory.
Anthony Alessandrini
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The two texts that serve as bookends to the writings of Frantz Fanon, Peau noire, masques blancs and Les Damnés de la Terre are often situated as taking up two different elements and approaches to decolonization.
Michael E. Sawyer
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Martinique Between Fanon and Naipaul
An argument for the proximity, if not absolute sameness, of Naipaul and Fanon on the status of the West Indies in the age of colonialism and independence struggle.
John E. Drabinski
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What would it mean to think about Frantz Fanon’s work on race, embodiment, and identity in the context of the contemporary cultural politics of Black hair?
Fatima Seck
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Black Women in Fanon’s Black Skin, White Masks [PDF]
In this paper, I focus on the representations of Black women in contrast to Black men found within Frantz Fanon’s philosophical work Black Skin, White Masks. I propose that while Fanon’s racial dialectical work is very significant, he often lacks acknowledgement of the multidimensionality of the Black woman’s lived experience specifically.
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