Results 191 to 200 of about 5,485 (242)
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Qualitative Inquiry, 2004
This article uses the iconic text Black Skin/White Masks by Frantz Fanon as a metonymic trope to examine the nature of White Studies through the autobiographical frame of a Black critic. The article is structured around three components. First, the socially constructed identity of “Whiteness” as embedded in, emergent from, and critiqued by those in ...
Bryant Keith Alexander
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This article uses the iconic text Black Skin/White Masks by Frantz Fanon as a metonymic trope to examine the nature of White Studies through the autobiographical frame of a Black critic. The article is structured around three components. First, the socially constructed identity of “Whiteness” as embedded in, emergent from, and critiqued by those in ...
Bryant Keith Alexander
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Difference Embodied: Reflections on Black Skin, White Masks
Parallax, 2002(2002). Difference Embodied: Reflections on Black Skin, White Masks. Parallax: Vol. 8, Fanon & the Impasses of Modernity, pp. 54-68.
TERESA De Lauretis
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White skins, black masks. »Antropofagia« and the reversal of primitivism
2019Rafael Cardoso
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Black skin, white masks: Izzat as an appropriation of Othello
Indian Theatre Journal, 2021Izzat was the first mainstream Hindi film to reference Othello and has so far escaped the attention of academics who have begun researching the underexplored field of Bollywood Shakespeares. The film stars Dharmendra playing both versions of a fair- and a dark-skinned twin, which is a novel take on a Shakespearean trope.
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2018
This chapter argues that Frantz Fanon’s first book Black Skin, White Masks is unified by a profoundly existentialist conception of human being and psychological functioning. It argues against the prevailing reading of the book as a conceptually and methodologically eclectic analysis of various problems of colonialism that offers no prospect of a ...
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This chapter argues that Frantz Fanon’s first book Black Skin, White Masks is unified by a profoundly existentialist conception of human being and psychological functioning. It argues against the prevailing reading of the book as a conceptually and methodologically eclectic analysis of various problems of colonialism that offers no prospect of a ...
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Black Skins, Black Masks or “The Return of the White Negro”
Men and Masculinities, 2002This article explores the meanings behind the public personae of two “White Negroes”—Dennis Rodman and RuPaul. It argues that they are examples of blackface minstrelsy in the post-Fordist age. The article draws the connection between minstrelsy of the nineteenth century and the performances of Rodman and RuPaul in the twentieth century by demonstrating
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