Results 21 to 30 of about 315,062 (216)
MASCULINIDAD Y PERTENENCIA EN THE BROTHERS SIZE DE TARELL ALVIN MCCRANEY
Perífrasis. Revista de Literatura, Teoría y Crítica, 2022 Este artículo explora nociones de masculinidad y pertenencia en el drama The Brothers Size de Tarell Alvin McCraney. Autor afroestadounidense contemporáneo, McCraney crea personajes complejos que problematizan nociones colectivistas de la identidad afro ...
Jesús Valencia
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Building Audiences: Stories From America's Theaters - What Theaters Are Learning About the Role of Programming in Attracting Audiences [PDF]
, 1996 Explores strategies being used -- from market research to free play readings -- to plan programming and select on-stage productions to attract ...
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Нарушение нормы Леонида Андреева в драматургическом произведении – „новая драма”
Studia Rossica PosnaniensiaIn this article, considering the specifics of the genre, the author focuses on the new observance of the norm in the text of drama. The concept of “norm” in drama has always been interpreted in different ways, i.e.
Melina Panaotović
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Le théâtre de Césaire, écritures-réécritures, un travail de Sisyphe
Continents manuscrits, 2016 Daniel Delas comes back to the profuse theatrical re-writings by Césaire and investigates the following hypothesis : it is finally the questionning about the black leader of Afro-Caribbean independencies and, more widely, about the human being ...
Daniel Delas
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Ästhetische Erfahrungen von Musik begünstigen
Die Materialwerkstatt, 2022 Im Zentrum dieses Beitrages für das Seminar Musikgeschichte der Lehramtsausbildung Musik an der Sekundarstufe steht das Werk „March of the Women“ von Ethel Smyth (1858–1944), welches als „Hymne“ der englischen Suffragetten-Bewegung gilt.
Steven Schiemann +2 more
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HumanitiesIn his 1926 “Criteria of Negro Art,” W.E.B. Du Bois advocates for art’s role in the quest for liberation while acknowledging the challenges facing the creation of Black art, observing, “We can go on the stage; we can be just as funny as white Americans ...
Vanessa I. Corredera
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Black Popular Culture and Subalternity: an analysis of the Zumbi spectacle by João das Neves
Revista Brasileira de Estudos da Presença, 2022 This article comments on the analysis of the play Zumbi (2012) (Zombies) by João das Neves, a production inspired in Arena conta Zumbi (1965) by Boal and Guarnieri, presenting the problems related to contemporaneous matters in the perspective of the ...
Carina Maria Guimarães Moreira (Universidade Federal de São João del-Re i – UFSJ, São João del-Rei/MG, Brazil)
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Studies in 20th & 21st Century Literature, 2003 Bishop, Michael, ed. Women's Poetry in France, 1965-1995 . by Martine Antle Black, Stanley. Juan Goytisolo and the Poetics of Contagion: The Evolution of a Radical Aesthetic in the Later Novels by Bernardo Antonio González Fachinger, Petra ...
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Signed Music in the Deaf Community
Journal of Festive Studies, 2023 In the spring of 2019, the first signed musical stage production was performed at Festival Clin d’Oeil—the world’s largest deaf arts festival that brings thousands to Reims, France, biennially.
Jody Cripps, Ely Lyonblum, Anita Small
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, 2002 This is the concert program of the Boston University Opera Institute and Boston University Chamber Orchestra performance of Die Fledermaus by Johann Strauss, running Thursday, April 18 to Saturday, April 2, 2002 at 8:00 p.m. and Sunday, April 21, 2002 at
School of Music, Boston University
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