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Spartan Daily, January 28, 2020 [PDF]
, 2020 Volume 154, Issue 2https://scholarworks.sjsu.edu/spartan_daily_2020/1001/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
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American, British and Canadian Studies Journal, 2022 Starting from the premise that contemporary crisis is a pervasive continuation of the modern “series of interrelated crises” (Fernández-Caparrós and Brígido-Corachán vii), this article examines the manner in which the US theater has responded to the ...
Čirić-Fazlija Ifeta
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Blacking Up : Une histoire du rock au prisme du blackface
Transatlantica, 2013 Blackface minstrelsy is a form of popular American theater that gained popularity in the first half of the 19th century. As a form of theatrical makeup, blackface consisted of mostly white performers using burnt cork to blacken their skin.
Keivan Djavadzadeh
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MASCULINIDAD Y PERTENENCIA EN THE BROTHERS SIZE DE TARELL ALVIN MCCRANEY
Perífrasis. Revista de Literatura, Teoría y Crítica, 2022 Este artículo explora nociones de masculinidad y pertenencia en el drama The Brothers Size de Tarell Alvin McCraney. Autor afroestadounidense contemporáneo, McCraney crea personajes complejos que problematizan nociones colectivistas de la identidad afro ...
Jesús Valencia
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Diversity In The Arts: The Past, Present, and Future of African American and Latino Museums, Dance Companies, and Theater Companies [PDF]
, 2015 The DeVos Institute of Arts Management at the University of Maryland has worked since its founding at the John F. Kennedy Center for the Performing Arts in 2001 to address one aspect of America's racial divide: the disparity between arts organizations of
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Discovery of a Potent Fluorescence Polarization Probe for Identifying USP1 Allosteric Inhibitors
Advanced Science, EarlyView.This study presents the first ubiquitin‐specific protease 1 (USP1) allosteric fluoroprobe and fluorescence polarization assay, enabling the differentiation of allosteric and catalytic site inhibitors. Further, a novel class of tetrahydroisoquinoline‐based USP1 inhibitors is designed, with compound 14a (USP1 IC50 = 29.9 nM) showing strong selectivity ...
Jiawei Cheng +12 more
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Le théâtre de Césaire, écritures-réécritures, un travail de Sisyphe
Continents manuscrits, 2016 Daniel Delas comes back to the profuse theatrical re-writings by Césaire and investigates the following hypothesis : it is finally the questionning about the black leader of Afro-Caribbean independencies and, more widely, about the human being ...
Daniel Delas
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The Insistence of Blackness and the Persistence of Antiblackness in Ireland
Australian Journal of Social Issues, EarlyView.ABSTRACT This paper positions Ireland as a critical site for examining the insistence of blackness and an antiblackness created and sustained through Irish ethnonationalist imaginaries and exclusionary processes. Drawing on connected sociologies and Irish Black Studies, this enquiry argues that antiblackness in Ireland operates as a generational force,
Philomena Mullen
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Нарушение нормы Леонида Андреева в драматургическом произведении – „новая драма”
Studia Rossica PosnaniensiaIn this article, considering the specifics of the genre, the author focuses on the new observance of the norm in the text of drama. The concept of “norm” in drama has always been interpreted in different ways, i.e.
Melina Panaotović
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Ästhetische Erfahrungen von Musik begünstigen
Die Materialwerkstatt, 2022 Im Zentrum dieses Beitrages für das Seminar Musikgeschichte der Lehramtsausbildung Musik an der Sekundarstufe steht das Werk „March of the Women“ von Ethel Smyth (1858–1944), welches als „Hymne“ der englischen Suffragetten-Bewegung gilt.
Steven Schiemann +2 more
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