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2001
In this chapter we examine how it was possible for Europeans to have a racialized view of the black between c.1870 and 1914, even though the vast majority had had no direct contact with or ever seen a black person. On the whole our purpose will not be to examine in any detail scientific racist thought, or the works of physical anthropologists on the ...
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In this chapter we examine how it was possible for Europeans to have a racialized view of the black between c.1870 and 1914, even though the vast majority had had no direct contact with or ever seen a black person. On the whole our purpose will not be to examine in any detail scientific racist thought, or the works of physical anthropologists on the ...
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2006
Images of violent black masculinity are not new in American culture, but in the late 1980s and early '90s, the social and economic climate in the country contributed to an unprecedented number of films about ghetto life. And while Hollywood reaped financial gains from these depictions, the rest of the country saw an ever widening "opportunity gap ...
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Images of violent black masculinity are not new in American culture, but in the late 1980s and early '90s, the social and economic climate in the country contributed to an unprecedented number of films about ghetto life. And while Hollywood reaped financial gains from these depictions, the rest of the country saw an ever widening "opportunity gap ...
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Buy Black, Sell Black, Glorify Black
Phylon (1960-), 1961J. D. R., C. Eric Lincoln
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Canadian Theatre Review, 1979
Canadian Greg Light wrote to Tom Stoppard recently demonstrating some of the images that could be conceived from the titles of their latest plays—Stoppard’s Night and Day and Light’s Black to Black. Light expressed his disappointment that Stoppard’s name was inappropriate to the homogeneous relationship of the five words ‘night’, ‘black’, ‘black ...
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Canadian Greg Light wrote to Tom Stoppard recently demonstrating some of the images that could be conceived from the titles of their latest plays—Stoppard’s Night and Day and Light’s Black to Black. Light expressed his disappointment that Stoppard’s name was inappropriate to the homogeneous relationship of the five words ‘night’, ‘black’, ‘black ...
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2005
Black Lenses, Black Voicesis a provocative look at films directed and written—and sometimes produced—by African Americans, as well as black-oriented films whose directors or screenwriters are not black. Mark Reid shows how certain films dramatize the contemporary African American community as a politically and economically diverse group, vastly ...
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Black Lenses, Black Voicesis a provocative look at films directed and written—and sometimes produced—by African Americans, as well as black-oriented films whose directors or screenwriters are not black. Mark Reid shows how certain films dramatize the contemporary African American community as a politically and economically diverse group, vastly ...
openaire +1 more source