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Post-humanitarianism: Humanitarian communication beyond a politics of pity Lilie Chouliaraki [PDF]
Musarò, Pierluigi
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Globalization backlands: labor and territory. [PDF]
Lima JC, Corteletti RF, de Araújo IM.
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History of the Human Sciences, 1998
The Archive is a central but paradoxical image in the work of the con temporary French artist Christian Boltanski (born 1944). Because Boltanski is obsessively concerned with the death-like rupture and loss by which experience is continuously reduced to fragmentary and inac curate memories of the past, especially regarding the adult's perception of ...
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The Archive is a central but paradoxical image in the work of the con temporary French artist Christian Boltanski (born 1944). Because Boltanski is obsessively concerned with the death-like rupture and loss by which experience is continuously reduced to fragmentary and inac curate memories of the past, especially regarding the adult's perception of ...
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Travail, genre et sociétés, 2006
Les representations de plus en plus envahissantes des corps extremes dans l’art contemporain prennent leur source dans l’iconographie chretienne, et en particulier les innombrables representations de l’Homme de Douleur, dont le polyptique de Grunewald est l’exemple le plus frappant.
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Les representations de plus en plus envahissantes des corps extremes dans l’art contemporain prennent leur source dans l’iconographie chretienne, et en particulier les innombrables representations de l’Homme de Douleur, dont le polyptique de Grunewald est l’exemple le plus frappant.
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Mourning or Melancholia: Christian Boltanski's Missing House
Oxford Art Journal, 1998My work is not about the camps, it is after the camps. The reality of the Occident was changed by the Holocaust. We can no longer see anything without seeing that. But my work is really not 1. Georgia Marsh, 'The White and the Black: about the Holocaust, it's about death in general, about all of our deaths.1 An Interview with Christian Boltanski ...
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